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A person in white clothing sits at a wooden table, facing a television. They have one hand raised as they watch a figure on the screen.

The extraordinary everyday captured by photographer Ryosuke Takamura

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Date
16 December 2016

Ryosuke Takamura describes himself as a “street photographer”. His work focuses on Fukui, a “small and quiet place” on the east coast of Japan. “One of the reasons I’m into street photography is every photo has got meanings hidden in there,” he tells It’s Nice That. “When I see other photographers photos and find their thoughts, I feel like I could talk to them and want to get to know more about them. I wanted to do the same thing, wanted people to find my hidden thoughts and talk to other people through my photos. And to let people find my thoughts, I express myself in my photos by variety of means. I am still working on it, and I will do for a while yet.”

Ryosuke’s images are deceptively simple, but each holds a twist: a single moment which shifts the photographer’s work out of the realm of ordinary. “I believe that expression is the everlasting theme to taking photographs and how I express myself and my thoughts in them. I think that expression is created from your knowledge and experiences, and I look forward the change of my expression as I get older.”

Two people lean forward to speak into large, silver metal acoustic horns installed in a grassy courtyard. They face each other from opposite ends of the installation, with a curved white path running beside them.
A person in a dark blue uniform stands beside a small, lime green mesh shelter on a residential street. Behind them, traditional and modern Japanese houses line the road under a pale sky.
A person lies flat on their stomach in the grass, their head tucked under the branches of a bright pink flowering bush. A small folding bicycle stands parked on the path beside them.
A person holds a black umbrella that completely obscures their face and upper body. They stand behind a manicured hedge on a residential street in Japan, with cherry blossoms in bloom behind them.
A person crouches on a wooden floor in front of a brightly coloured vending machine. They are leaning over a flat cardboard box in a small, sparsely furnished room.
A person in a dark suit sits on a long white bench in a minimalist, white gallery space. They face a black screen mounted on the wall, viewed through a large glass pane.
The long, lace train of a white wedding dress spreads across a tiled floor. Beside it, white chairs are decorated with bouquets of white and green flowers.
A child in a blue T-shirt and brown shorts floats on their back in a shallow, rocky pool. They are surrounded by several upright wooden logs of varying heights.
Three figures in black and white futuristic suits crouch on a grassy stage. A person in a grey T-shirt and shorts stands behind them, watching.
Three people wait in a sparse, white room with two wooden benches. One person sits upright on the left, while another lies across the second bench with a third person sitting behind them.
A person dressed in a black niqab walks away from the camera towards a plain concrete wall. The shadow of a leafless tree is cast across the wall and the dry grass below.

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About the Author

Bryony Stone

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Bryony joined It's Nice That as Deputy Editor in August 2016, following roles at Mother, Secret Cinema, LAW, Rollacoaster and Wonderland. She later became Acting Editor at It's Nice That, before leaving in late 2018.

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