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A person floats on their back in shallow, clear water. Their long hair swirls around them, and the rocky riverbed is visible beneath the surface.

Photographer Trent Davis Bailey documents rural American community The North Fork

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Date
17 February 2017

Photographer Trent Davis Bailey recently returned to the North Fork Valley of Colorado after two decades. He’d spent time at North Fork with his aunt and uncle as a child, but it wasn’t until 2011 that he returned to the rural town of Paonia. Since then, he has spent years living, working in and documenting the area and its people.

The tenderly observed, softly lit images in the series The North Fork document life in Paonia, a place where things aren’t always as they first appear. In one photo, a girl stands against a white wooden-walled building superimposed with the shadow of another girl playing on a swing, but the photographer’s own shadow is oddly absent. In another image, a heavily pregnant woman reclines on brown rocks in the clear water of a shallow pool, heavy curls of Pre-Raphaelite hair decorating her naked body. Fertility weaves through the series in pregnant bodies and depictions of farming in the rural community.

In March, Trent’s work will feature in group show Grow-Conserve at Somerset House.

A child in a white T-shirt stands against a white wooden wall, covering their eyes with both hands. A large, distorted shadow of a person is cast across the wall behind them, mixed with the dappled shade of tree leaves.
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Trent Davis Bailey: The North ForkTrent Davis Bailey: The North Fork

A wooden crate filled with bright orange carrots sits in the foreground of a snow-covered field. In the distance, a line of dark evergreen trees stands against a backdrop of soft, rolling mountains at dawn.
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Trent Davis Bailey: The North Fork

A long, beige fabric garment hangs beside a projection of blurred foliage. The fabric is stained and worn, draped simply against a pale wall.
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Trent Davis Bailey: The North Fork

A pile of golden straw is illuminated by a shaft of sunlight inside a dark barn. In the background, green trees are visible through the open doorway.
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Trent Davis Bailey: The North Fork

A person with long grey hair and a full beard stands in profile, looking downwards. They wear a white ribbed vest and are lit by strong sunlight streaming through a window.
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Trent Davis Bailey: The North Fork

A person lies face down on the ground inside a bright, plastic-walled greenhouse. Rows of potted plants line wooden benches on either side, with heavy metal chains hanging from the ceiling.
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Trent Davis Bailey: The North Fork

A car is partially visible behind a field of yellow wildflowers. The image is shot through a blurred, textured surface that creates a hazy, speckled effect across the scene.
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Trent Davis Bailey: The North Fork

An elevated view of a rural landscape with a road and railway line running parallel. A small cluster of houses and autumn trees sit beside a stream in the background.
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Trent Davis Bailey: The North Fork

A person is seen through a dirty car window, their face partially obscured by streaks of mud. They wear a pink garment and a patterned neck gaiter, looking off to the side.
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Trent Davis Bailey: The North Fork

A person is seen through a semi-transparent, gold-toned mesh screen in a grassy field. Their silhouette is blurred and distorted by the texture of the fabric.
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Trent Davis Bailey: The North Fork

A narrow, white-water river winds through a deep canyon of steep, jagged rock walls. Sparse green vegetation clings to the crevices and the riverbanks.
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Trent Davis Bailey: The North Fork

A pile of wilted pink and purple flowers rests on a mound of dry straw. In the background, rows of orange flowers stretch across a cultivated field.
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Trent Davis Bailey: The North Fork

A person with long, curly blonde hair stands with their back to the camera, leaning against a glass telephone box. They wear a red patterned shirt and look out over a rural landscape under a cloudy sky.
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Trent Davis Bailey: The North Fork

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About the Author

Bryony Stone

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Bryony joined It's Nice That as Deputy Editor in August 2016, following roles at Mother, Secret Cinema, LAW, Rollacoaster and Wonderland. She later became Acting Editor at It's Nice That, before leaving in late 2018.

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