In 2010 Julia Born designed A NOT B, a fantastically colourful book filled with Uta Eisenreich still-lifes. Inspired by non-verbal IQ tests, Eisenreich’s sets were constructed from a vast array of ubiquitous household items – apples, tea pots, hand-held mirrors, etc. – and displayed the artist’s penchant for games, language and symbolism. A NOT B, the book, originated from A NOT B, the exhibition, held at Amsterdam gallery Ellen de Bruijne Projects in 2009, in which the artist’s weird and often very funny objects could be experienced in real life.
Fast forward a few years and Eisenreich’s back, this time with Time after Sometimes, a similarly colourful solo show exploring “love, time and [the] transitoriness of human existence.” The artist’s work, a blurb suggests, “points out the arbitrary relationship (and structural differences) of language as a system of symbols and the mechanisms of the real world,” and this time features earthworms, bones and insects, as well as the usual mix of weird and wonderful domestic objects.
- Contra Journal shines a light on visual responses to conflict and migration
- The complex and unique relationship of sisterhood as captured by Sophie Harris-Taylor
- “I like to retreat into a world that isn’t defining an ideal form”: meet artist Emma Kohlmann
- Artist Melissa Kitty Jarram is updating Greek myths for 2018
- Graphic designer Sam Wood’s personal practice is dictated by his own frameworks and rules
- Supermundane comes over all nostalgic for latest series I Know It’s Over
- Coca-Cola reveals custom typeface, TCCC Unity, inspired by its modernist heritage
- Muji to open “anti-gorgeous, anti-cheap” hotels in China and Japan
- Pee on this Ikea print ad, and if you’re pregnant, you get a crib half price
- School teacher fired for showing nude paintings in an art lesson
- Pop superstar Justin Bieber turns painter with first original piece, Calvary
- Paris Syndrome: photographer Francois Prost explores a replica city in China