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A black and white photograph of two people embracing, with one person lifted off the ground. Red text is scattered across the image, including the names “Sam Taylor Johnson”, “Tom Burr” and “Natalie Fairtinger”.

Pentagram’s Domenic Lippa designs the inaugural issue of YES & NO Magazine

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Date
25 April 2017

Pentagram’s Domenic Lippa and Jeremy Kunze have designed the inaugural issue of YES & NO, a new quarterly magazine covering arts, culture, science, technology and business. The first edition is titled The Prototype Issue. YES & NO was conceived by Cassius Matthias, who has previously worked as an assistant to film director Anthony Minghella. “YES & NO won’t dictate what you should think and is more likely to raise questions than offer answers”, says Cassius, “the vision is to open an evolving conversation between the content and you.”

The design of the magazine is driven by type, to the extent that the first issue runs without advertising, instead Domenic and his team have included typographic interventions that divides the magazine into sections.

“The design deliberately strikes against the considered visuals that are currently popular in the magazine market, employing a more ballsy and opinionated aesthetic. Traditional editorial structures – like an article being restricted to a single issue – and editorial navigation have been played with, making YES & NO an unapologetically intelligent offer, that trusts its readers to explore without traditional signposting,” says Pentagram. “YES & NO’s desire to challenge traditional magazine structures is immediately apparent from its cover, which has no clear masthead, acting as a blank canvas for the logotype to separate and move around in relation to the cover image.”

Issue one features in-depth interviews with director Sam Taylor-Johnson and champagne heiress Vitalie Taittinger, a centrefold spread by artist Tom Burr and recipes from chef Michel Roux Jr. It’s available in stores now.

An open magazine showing a minimalist table of contents across two pages. The layout uses thin black lines and circles to frame page numbers and article titles, with some text highlighted in red.
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Domenic Lippa and Jeremy Kunze: YES & NO

An open book shows a minimalist layout. The left page features the large, bold letters “PRY”, while the right page contains a black and white photograph of a row of mailboxes in a stark hallway.
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Domenic Lippa and Jeremy Kunze: YES & NO

An open book shows a photograph of a spool of thick, bright blue rope. The image is split across two pages, with the spool appearing twice against a plain grey background.
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Domenic Lippa and Jeremy Kunze: YES & NO

An open magazine spread featuring a black and white photograph of two people kissing. The opposite page contains the name “SAM” in large, serif typography, with smaller text reading “Living the dream in her new world”.
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Domenic Lippa and Jeremy Kunze: YES & NO

An open book with bright yellow pages and bold red typography. The left page reads “Without Voice” and the right page reads “Without Place”.
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Domenic Lippa and Jeremy Kunze: YES & NO

An open book shows a large, bold letter “B” on the left page with the word “BODY” printed inside it. The right page contains a block of text by Tom Burr discussing “Brutalist Bulletin Boards” and the city of New Haven.
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Domenic Lippa and Jeremy Kunze: YES & NO

An open book shows two pages with black-and-white photographic collages. Each spread features a cluster of small portraits and abstract images arranged on a dark background.
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Domenic Lippa and Jeremy Kunze: YES & NO

An open book shows spreads featuring rows of small, black and white photographs. The images are arranged in horizontal strips across white pages, resembling film strips.
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Domenic Lippa and Jeremy Kunze: YES & NO

An open book with two bright red pages. Bold black typography reads “Echo” on the left and “Ecpo” on the right, both written vertically.
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Domenic Lippa and Jeremy Kunze: YES & NO

An open magazine spread featuring a page of text and a full-page photograph. The photo shows a person in a yellow dress and a wide-brimmed hat standing before a vine-covered wall. A large pull-quote reads, “By producing his own grapes, François [Taittinger] knew exactly what he was putting into his bottles.”
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Domenic Lippa and Jeremy Kunze: YES & NO

An open book shows a portrait of Adolf Hitler in a tan uniform with a swastika armband. The opposite page is dark brown with the name “Sandro” split across two lines in bold, tan typography.
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Domenic Lippa and Jeremy Kunze: YES & NO

An open book shows two profiles facing each other against a black background. On the left is a prehistoric skull, and on the right is a person with their mouth open in a shout.
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Domenic Lippa and Jeremy Kunze: YES & NO

A large, pale dinosaur sculpture stands in a desert landscape under a cloudy sky. A small, dark figure perches on its head while another figure lies on the ground beside its feet.
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Domenic Lippa and Jeremy Kunze: YES & NO

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About the Author

Owen Pritchard

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Owen joined It’s Nice That as Editor in November of 2015 leading and overseeing all editorial content across online, print and the events programme, before leaving in early 2018.

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