Review of the year 2016: graphic designers Süpergrüp
Our sixth interview for our Review of the Year features is with Süpergrüp, Germany’s start-studded design collective – we speak to them about its first year as a group and what it hopes to do in 2017.
When a supergroup of any kind is announced, an instant buzz soon follows. Whether it be artistic, editorial or musical, the concept that a collective of creatives will be working together is a real treat. This was a feeling that echoed through the It’s Nice That studio when Johannes Erler, Mirko Borsche, Lars Harmsen, Sarah Illenberger, Eike König, Mario Lombardo and Erik Spiekermann founded Süpergrüp – platform for design with some of Germany’s most prominent designers.
Suüpergrüp’s beginning was announced at TYPO Berlin in May 2016 with its seven founding members. Its existence is one that is endearingly founded in friendship. Together the collaboration between its members allows each designer to work on the projects they’ve always wanted to, ideas they’ve been meaning to elaborate upon or assignments they would have never thought of doing while designing individually.
As a design platform built upon a bond between the designers themselves, the ethos of Süpergruüp is approachable and showcases how design should ultimately be communicative. The group do this by exhibiting the work of established and upcoming designers alongside each other, whether it be working together on a T-shirt design or sharing wisdom with young creatives in a poster workshop. Collectively they are designers, writers and business people beginning to openly discuss and act upon how design should be affective.
As their first year draws to a close, we speak to Süpergrüp’s nominated spokesperson Johannes on their origins, how they’ve grown, and what’s next for the team of democratic designers.
What was your creative highlight of 2016?
The birth of Süpergrüp!
What was your lowlight of 2016?
The massive return of stupidly destructive hate and egoism that we’ve witnessed around the world in 2016.
What are the signs of a good creative year?
To have created something that really lasts.
Which piece of work did you enjoy working on most last year?
Most definitely our first Süpergrüp product: The Love is the Answer shirt. It’s just a small piece of design, but makes an important statement at the right time. If you order, it comes with a little brochure and our iconic smÜley badge.
Which piece of work from last year do you feel has been most significant to your portfolio/career?
I really like our Offen und Bunt sign for the anti-Pegida movement in Dresden. It’s not my best piece of design and I certainly don’t see it as a portfolio highlight, but it was fun and has helped raise attention to this worrying subject.
Speaking for my Süpergrüp colleagues, they have produced a long list of outstanding design projects. One, however springs immediately to mind: Mirko Borsche’s collaboration with the great German designer, Konstantin Grcic, where they created the superdiscomachine Epocsodielak. It’s one hell of a show!
How has your work evolved over the last 12 months?
As a human being and a designer I felt and still feel a deep responsibility for our free and democratic society. Not every piece of my work can be political or a social statement. But as a designer I feel the obligation not only to work for money, but also to support important projects. As human beings we have to help.
What’s been the most important thing you’ve learnt in the last year?
Interfere! Design can be a powerful tool!
Who has been the most influential creative for you in the last year?
Describe 2016 in five words…
Hard trip in a storm.
What are your hopes for 2017?
Personally that we learn from all the mistakes and spooky developments that jeopardise our freedom. Every end is a new beginning.
And of course I look forward to a great Süpergrüp year in 2017. It is still early days and the start was a little bumpy, but now we’re getting up to speed. Our shop is almost ready, and in September 2017 we plan our first Süpercamp as a workshop weekender called Mother Nature and an exhibition concept is also in the pipeline. Stay tuned, it’s going to be fun!
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About the Author
Lucy joined It’s Nice That as an editorial assistant in July 2016 after graduating from Chelsea College of Art. In October 2016 she became a staff writer on the editorial team and in January 2019 was made It’s Nice That’s deputy editor. Feel free to get in contact with Lucy about new and upcoming creative projects or editorial ideas for the site.