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Three vintage posters. The first is for a production of “Macbeth” at the Roundhouse, featuring a stylised profile of a face in purple and green. The second is a red and white poster for “Eisenstein’s Strike” at Roundhouse Films. The third is a green and white “Music Train” poster for a trip from London to Edinburgh on 21 August 1972.
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Date
2 November 2016
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The Roundhouse publishes enormous archive of posters to celebrate 50 years as a performing arts centre

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Date
2 November 2016

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If the walls of the Roundhouse could talk, the anecdotes would be immense. The iconic London venue is where Andy Warhol performed his only play, where the world’s biggest bouncy castle was inflated indoors, where Antony Gormley’s ominous You figure stands surveying Camden’s crowds from the roof, and LSD-fuelled naked theatre was once a thing.

Now to celebrate its 50-year history as an avant-garde performance venue, the Roundhouse has launched a website collating accounts, images and recordings from gig goers, local residents and performers, telling stories of their Roundhouse experiences.

The venue has also delved into its archives to reveal an enormous collection of posters from across the decades, just a few of which are published exclusively here on It’s Nice That. The designers are unknown, expected to be friends and fans of the performers, and therefore remain anonymous. Nevertheless, they are gems.

A graphic poster for a play titled “Headlock” by Salt Theatre. A pink figure is depicted in a wrestling ring, looking upwards with their arms crossed over their chest. Below the illustration, red and blue text reads “Salt Theatre” and “The Roundhouse Downstairs”. Further details list the location as “Chalk Farm Rd NW1” and dates from “May 11–15”.
A red and white typographic poster for “ICES 72”. The text is arranged in a dense, distorted block that forms a silhouette, announcing an “international carnival of experimental sound” taking place in London and across Britain in August 1972.

The Roundhouse began life in 1846 as a train shed, then became a gin warehouse before its transformation in the 60s into a performance venue. During this decade alone it hosted Yoko Ono’s happening, Led Zeppelin’s London debut, and The Dialectics of Liberation conference, which assembled some of the most radical speakers in the western world including Allen Ginsberg and Black Power leader Stokey Carmichael. The 60s also saw the Middle Earth Club Night host musicians such as Jimi Hendrix, Jefferson Airplane and The Doors.

In the 70s the venue played a key role in London’s counterculture, hosting events such as Kenney Tynan’s ’tasteful pornography’ show Oh Calcutta! featuring songs and sketches by Samuel Beckett, Sam Shepherd and John Lennon. The Implosion Club Night featured David Bowie (with The Hype), Black Sabbath, Elton John and The Rolling Stones, and in the late 70s the venue hosted gigs by The Clash, The Ramones, Patti Smith, Blondie and The Police.

In 1983 it closed and faced dereliction, and years of failed revival attempts (not to mention a few week-long 90s raves), before it was renovated and reopened in 2006. Since then it has seen major site-specific visual art installations by the likes of Ron Arad and Conrad Shawcross, performances by Sadler’s Wells and the Royal Shakespeare Company, and concerts by Prince, Jay-Z and FKA Twigs.

Fans of the venue can contribute to its anniversary project by emailing submissions or through social media.

A bold yellow and black poster for a performance at the Roundhouse. A central, jagged explosion of shapes contains stylised text, including “Paul McCartney”. The bottom section reads “Roundhouse”, “Jan 28 8–30” and “10/-”. A small illustration of a lit candle sits beside a list of acts including “Soft Machine” and “Electric Rocks”.
A black and white portrait of Andy Warhol is overlaid with pink and white text. The poster reads “Andy Warhol’s Pork”, directed by Anthony J Ingrassia at “The Round House”.
A graphic poster for a production of “Iris”. A stylised blue bird is set against a vibrant red circle, surrounded by swirling black brushstrokes. Text at the bottom reads “To a world” and lists dates in November at the “Round House” in Chalk Farm.
A poster for the play “Oh What a Lovely War” on a peach background. A large, black abstract shape suggests a military cap and uniform, with a small figure of a soldier in a red and white outfit dancing inside. Text at the bottom reads “The Roundhouse Chalkfarm”, with dates from “Dec. 8-13” and ticket prices.
A theatrical poster for The Round House featuring a gold and blue art nouveau illustration. The central text reads “Pericles by William Shakespeare”, with “The Royal Hunt of the Sun by Peter Shaffer” and “Twelfth Night by William Shakespeare” below. A schedule of performances from “August 27 to September 22” is listed across the top.
A purple and red poster for a production at The Roundhouse. It features the title “the wheel” in bold red lowercase letters above a graphic of a red wheel enclosed in a purple circle with four white stars. Text at the top reads “THE ROUNDHOUSE” and “MAY 11–27”, while the bottom describes the show as “a chamber work for actors and musicians”. Credits list director Geoffrey Reeves, words by Bettina Jonic and music by David Bedford.
A yellow poster reads “TOWARDS A FEMINIST POLITIC”. A central graphic combines the female symbol with a wide-open, shouting mouth. Below the image, text announces “a course of ten weekly lectures at the Round House Downstairs”. Dates are listed as 25 January – 29 March 1979.
A psychedelic concert poster featuring surreal, distorted figures in orange, pink and black. A large eye and a pair of lips dominate the top half, surrounded by swirling patterns and stars. Text reads “Roundhouse U.F.O.” at the top. Below, it lists performances on “Sept 22” by “Dantalians Chariot with Zoot Money” and on “29 sept” by “The Social Deviants”, “The Exploding Gala”, “Jeff Beck”, “Ten Years After”, “Mark Boyles New Sensual Laboratory” and “Contessa Veronica”.
A yellow poster with a black illustration of a face formed by a grid of blocks. Text at the top reads “A tribute to Theodorakis” and “First performance of ‘In a State of Siege’”. The bottom reads “roundhouse 30 march 1969”.
A colourful illustration for a show titled “The Hunch” and “'t vermoeden”, presented by Hauser Orkater. Surreal figures in vibrant reds, greens and blues are layered across a deep green background. At the bottom, a yellow banner reads “the ROUNDHOUSE MARCH 21–APRIL 14” with a London address and box office number.
A psychedelic poster for a production of “Illuminatus!” at The Round House. A large eye is centred within a triangle against an orange background. Text below the image lists The National Theatre and The Science Fiction Theatre of Liverpool as presenters. It announces a “limited five week season” from 16 April – 21 May, accompanied by several glowing reviews.

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About the Author

Jenny Brewer

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Jenny oversees editorial output across It’s Nice That. Get in touch with writing pitches for features or opinion pieces, big creative story tips, or questions about all things editorial. jb@itsnicethat.com

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