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Artist Alex Chinneck reveals his first permanent artwork, Six pins and half a dozen needles

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Date
1 August 2017
A low-angle shot of a red brick building with a large, jagged vertical crack running up the centre. The gap reveals a rough, grey concrete core beneath the brickwork.

Artist Alex Chinneck has completed his first permanent artwork, a 10-tonne “torn brick” sculpture titled Six pins and half a dozen needles. Installed on the side of a new office development, Assembly London, in Hammersmith, the work blends seamlessly into the building’s brick facade, creating a surreal spectacle typical of the artist’s previous work.

The piece uses 4,000 bricks and over 1,000 stainless steel components. It took 14 months to complete and saw the artist working with engineers, steelworkers and brick-makers.

“The work was conceived to engage people in a fun and uplifting way,” he explains in a statement. “Although we use real brick, it was designed with a cartoon-like quality to give the sculpture an endearing artifice and playful personality.”

Six pins and half a dozen needles follows Alex’s other well known public works including the upside-down electricity pylon Bullet from a Shooting Star in London’s Greenwich, a melting house made from wax bricks, an upside-down house in Blackfriars, a house with its front sliding off in Margate, and a hovering stone building in Covent Garden.

View Six pins and half a dozen needles at 77 Fulham Palace Road, London, from 1 August 2017.

A red brick building features a large, jagged vertical gap in its centre, revealing a raw concrete core. The structure is topped with a dark grey roof under a cloudy sky.
Above

Alex Chinneck: Six pins and half a dozen needles

A modern glass-fronted building sits below a red brick structure with a jagged, sculptural concrete section. In the background, a tall, grey brutalist apartment block rises against a blue sky with white clouds.
Above

Alex Chinneck: Six pins and half a dozen needles

A wide, jagged gap splits a red brick floor, revealing a grey concrete base beneath. The bricks are arranged in a traditional bond, with the edges of the rift creating a stepped, uneven pattern.
Above

Alex Chinneck: Six pins and half a dozen needles

A vertical strip of raw, grey concrete is revealed through a jagged gap in a red brick wall. The concrete surface is textured and weathered, contrasting with the neat lines of the surrounding masonry.
Above

Alex Chinneck: Six pins and half a dozen needles

A section of red brick wall has been removed to reveal a rough, grey concrete surface underneath. The exposed concrete forms an irregular, vertical shape between the two remaining brick sections.
Above

Alex Chinneck: Six pins and half a dozen needles

A red brick ceiling with a large, irregular section of plaster missing. The exposed grey concrete beneath forms a jagged, tapering shape.
Above

Alex Chinneck: Six pins and half a dozen needles

A close-up of a red brick wall with a large, curved section of bricks missing. The gap reveals a pale concrete core, overlooking a blurred street scene of terraced houses.
Above

Alex Chinneck: Six pins and half a dozen needles

A tall crane lifts a rectangular slab of brickwork high above a narrow street. The slab is suspended between two modern buildings, one glass and steel and the other red brick.
Above

Alex Chinneck: Six pins and half a dozen needles

A crane lifts a large, jagged section of red brick wall high above a building. Below, a person stands on a raised platform, working on a matching gap in the building's facade.
Above

Alex Chinneck: Six pins and half a dozen needles

A red brick building features a large, jagged vertical section where the brick has been removed to reveal raw grey concrete. The structure has several rectangular windows and a dark grey roof under a bright blue sky.
Above

Alex Chinneck: Six pins and half a dozen needles

A red brick building features a large, jagged vertical gap in its centre, revealing a rough concrete core. Below this architectural void is a modern black glass and metal storefront.
Above

Alex Chinneck: Six pins and half a dozen needles

A red brick building with a tall, narrow window reaches towards a bright blue sky. A jagged, vertical section of the brickwork is missing, revealing a grey concrete core.
Above

Alex Chinneck: Six pins and half a dozen needles

A red brick building with a large vertical crack running down its side. A window reflects the surrounding rooftops, while a flat roof overlooks a street of terraced houses.
Above

Alex Chinneck: Six pins and half a dozen needles

A red brick wall features a jagged, vertical fissure filled with rough grey concrete. To the left, a glass window reflects a row of traditional brick buildings and a red telephone box.
Above

Alex Chinneck: Six pins and half a dozen needles

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About the Author

Jenny Brewer

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Jenny oversees editorial output across It’s Nice That. Get in touch with writing pitches for features or opinion pieces, big creative story tips, or questions about all things editorial. jb@itsnicethat.com

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