David Shrigley has been announced as the guest director of the 2018 Brighton Festival, the first visual artist to be given the directorship since Anish Kapoor back in 2009.
An artist appreciated by both the art world and the general public, David’s satirical and hilarious depictions of everyday life through illustration, sculpture and even song, make him an ideal candidate for the festival’s director, in a city which is now his home too.
“Like Brighton Festival, David Shrigley’s work is for everyone,” says Andrew Comben the festival’s chief executive. “Both powerful and funny, his work manages to navigate ‘high’ and ‘low’ art and speak to an incredibly wide audience. Alongside his own artwork, he has also joined in championing the power of the arts to help health and wellbeing. We are thrilled that David is bringing his distinctive take to the festival and the city he has now made his home. We look forward to a programme that we hope will entertain and inspire.”
The Brighton Festival will take place from 5 – 27 May with the full programme details to be announced in February 2018, however the festival has confirmed that the event will host exclusive new works by the artist. A few extra events have also been revealed including, Grand Finale by Hofesh Shechter, Calixto Bieto’s The String Quartet’s Guide to Sex and Anxiety and The Voice Project’s Arms of Sleep.“The great thing about Brighton Festival is that you see things that are really thrilling and wonderful that you’ve never heard of before,” says David on his appointment as director. “What I’m looking forward to about the role of guest director is having the opportunity to not only see a lot of stuff and programme stuff but also make some artwork myself and have it presented in the place where I live. I think it’s a really nice way to communicate with people, to meet people and invite people to come to Brighton.”
David Shrigley follows curators Kate Tempest (2017), Laurie Anderson (2016), Ali Smith (2015) and Brian Eno (2010).
- Tom Noon on his musical, spontaneous and illustrative approach to graphic design
- Nazif Lopulissa rethinks the shapes and forms of the children’s playground
- Egg is an animation about attempting – and failing – to take control of something you are afraid of
- Why creatives should take the election advantage
- Adrienne Law on making something digital feel physical
- Kyuho Kim imagines the shapes of words in his inventive design practice
- “We want to challenge and disturb the audience”: meet graphic design studio Alliage
- Matt Willey leaves The New York Times Magazine and joins Pentagram
- Ikki Kobayashi’s new series investigates the tension between shapes and negative space
- “Perfectly beautiful things don’t attract me”: Heesun Seo on her nontraditional practice
- The Pantone Colour of the Year 2020 makes a statement about peace and communication
- Moleskine’s digital notebook and a visual inventory of Earth win Apple's Apps of the Year