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Lawrence Lek, Hardeep Pandhal and Daria Martin among Film London Jarman Award shortlist

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Date
27 June 2018
A digital illustration of a figure with a yellow hat and a white, melting face. They stand behind a purple arched gate with snake-patterned bars against a red brick wall. To the right, handwritten text reads “The Many Headed Hardon” and “Hidden History From Below”, with the word “Snake” written in large green letters below.
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Hardeep Pandhal

The shortlist has been announced for the 2018 Film London Jarman Award, which celebrates groundbreaking work from the UK’s best artist filmmakers. Jasmina Cibic, Lawrence Lek, Daria Martin, Hardeep Pandhal, Margaret Salmon, and duo Larry Achiampong and David Blandy are all in the running for the £10,000 prize.

Awarded to artists operating in film, the Film London Jarman Award focuses on work that pushes the boundaries of filmmaking practice while portraying contemporary or topical concerns. The prize has a reputation for spotting stars of the future – nominees often go on to win larger awards, with artists Laure Prouvost, Monster Chetwynd, Elizabeth Price and Luke Fowler all scooping up the Turner Prize after their nominations.

Many of the artists on this year’s shortlist create work that centres around the political. Larry Achiampong and David Blandy’s The Finding Fanon Series was inspired by the lost plays of philosopher, writer and cultural theorist Frantz Fanon. The ongoing project is a filmic exploration of decolonisation and how it affects contemporary culture. Artist and animator Hardeep Pandhal often satirises racism with British culture and the country’s history, communicating dark, funny and through-provoking ideas in graphic psychedelia.

Both Lawrence Lek and Slovenian performance artist Jasmina Cibic address the role of the state, with the former using virtuality and simulation to explore power and space, and the latter using choreography and dance to talk about about the formation of national identity, often provoking contemplation of the soft power tactics that nation states and institutions use.

While very different in outcome, the work of both Daria Martin and Margaret Salmon discusses the personal and internal worlds of the human condition. Working exclusively with photography and 35mm film, Margaret Salmon’s realist depictions of friends, family life and relationships are often improvised. Daria Martin’s surreal films depict topics such as robotics, dreams, synaesthesia and magic, and highlight the slippages between different levels of consciousness.

An exhibition of the shortlisted artists will travel around the UK, with a final weekend of screenings, discussions and performances at Whitechapel Galley on 17 and 18 November. The winner will also be announced in November.

A 3D render of a shiny, chrome rabbit sculpture standing on a circular plinth. The figure holds a paintbrush and a colourful palette, posed as an artist in a courtyard between grand stone buildings.
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Lawrence Lek: UnrealEstate

A child sleeps soundly on a patterned pillow. They wear a colourful T-shirt with a playful print.
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Margaret Salmon: Eglantine

A person in a black dress waves a large red flag in a wood-panelled boardroom. They stand among a series of empty chairs and tables, with a framed portrait hanging on the wall behind them.
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Jasmina Cibic: Nada Act 2

Two people peer out from a narrow concrete opening, both wearing oversized, experimental eyewear. The person on the left wears round glasses with metallic discs, while the person on the right wears a complex device resembling camera lenses.
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Larry Achiampong and David Blandy: Finding Fanon Part Three

A 3D render of a circular mirror framed by an ornate, golden sculptural border. A string of pale blue pearls hangs across the bottom of the frame.
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Daria Martin: A Hunger Artist

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About the Author

Laura Snoad

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Laura is a London-based arts journalist who has been working for It’s Nice That on a freelance basis since 2016.

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