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A white T-shirt featuring a graphic of a coffee cup on a saucer. Large blue text reads “Why not?” with smaller text above it that reads “DUMPLING, CAFÉ, KIMCHI”.
A white T-shirt featuring a graphic of a coffee cup on a saucer. Large blue text reads “Why not?” with smaller text above it that reads “DUMPLING, CAFÉ, KIMCHI”.

The branding for Pei Plus references the floury folds of a dumpling

Like a restaurant crossed with an early Apple ad, the identity for Pei Plus strikes a balance between techy simplicity and warmth.

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Date
1 February 2024

There’s a few elements to unpack in the new wordmark for Pei Plus, a Korean and Chinese restaurant based in Madrid which has just undergone a rebrand. You might notice the mark’s rounded curves, which reference the plumpness of a good dumpling. Or the considerable contrast between weights – if you’re prepared to take a leap of faith with us, those crossbars begin to look awfully like a neat central fold line found on a dumpling too.

This careful combo of elements is the handiwork of Lucía Peralta and Marco Cofrades, the graphic designers Pei Plus tapped for its rebrand. “The aim was to create a contemporary and sleek, yet light-hearted and delightful visual identity,” the pair says.

Before Lucía and Marco got involved, the restaurant had used some hand-painted signage. The new brand identity manages to keep hold of some of that homeliness, while combining it with specific modern references. Certain touchpoints, like the merch for example, are reminiscent of early Apple marketing with a large condensed serif header pasted over brand photography – you can read a bit more about the return of that visual here. But Lucía and Marco have opted to warm up any white that you’d traditionally expect to see in this context. The designers say the dusty beige that appears throughout instead references the primary ingredients of dumpling dough: flour and water.

A menu for “Pet + Fruit” is laid over a photo of dumplings in a bamboo steamer. The menu lists cold and hot drinks, as well as sweets, with prices in euros.
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Lucía Peralta & Marco Cofrades: Casa Pei + creative direction and design (Copyright © Lucía Peralta & Marco Cofrades / Casa Pei +)

This is all underlined by Dinamo’s Favorit Pro, used for body copy and headlines. Lucía and Marco liked the typeface for its “sober elegance”. Finally, the restaurant’s name has been altered; Casa Pei Plus has been shortened to Pei Plus (the Plus references the extra elements the establishment offers beyond Korean cuisine like specialty coffee and curated objects, which presents an interesting tie to streaming brands that often incorporate ‘plus’ into their name too).

Lucía and Marco say they don’t think too much about trends when focusing on branding projects like this, preferring to work solely on the “core soul” of each project. But the pair do think the landscape of food branding has shifted in recent years:

“Since the pandemic, being able to go out has become a precious activity, we value much more the people we are around taking every event as a celebration. We believe this need of joy has been reflected in identities leading them to expand the borders of what was done before and care about every detail of the restaurant; it is no longer only about eating but about having an experience.”

GalleryLucía Peralta & Marco Cofrades: Casa Pei + creative direction and design (Copyright © Lucía Peralta & Marco Cofrades / Casa Pei +)

A slice of green matcha cake sits on a white plate, topped with a swirl of cream and a single blueberry. The plate features the blue cursive text “Life is tasty” and a small “Good food only” stamp.
An animation in which a blue plus sign morphs into a logo that reads “PBI+”. The shapes are set against a plain off-white background.
A small square table with a gold-coloured base stands against a plain white wall. A white chair and a wooden chair sit on either side, with a glass of tea and a cloth reading “Casa Pei” on the table.
A white A-board sign stands on a grey tiled pavement outside a building. Blue text reads “Dumplings, Coffee, Kimchi Why not?”.
Three mobile screens showing a social media campaign for “Casa Pei+”. The designs feature a light blue background, a dark moody photograph of a dumpling, and a close-up of a pleated dumpling on a gold surface.
Three stacks of white paper cups sit on a metal tray. The cups feature a blue logo and the words “Cafe Dumplings”.
A blue menu listing cold and hot drinks with prices in euros. The sections are titled “Bebidas frías” and “Bebidas calientes”, with a large, stylised “PEI+” logo at the bottom.
A white T-shirt sits inside a blue plastic crate. The shirt features light blue text that reads “Why not” and “DUMPLING, CAFE, KIMCHI”. Beside the crate is a glass bottle with a handwritten label and a bunch of small white flowers.
A person wearing a white hairnet and a floral apron smiles at the camera. They stand behind a wooden counter, placing a bamboo steamer filled with dumplings on the surface.
A simple illustration of a light blue circle resting on a vertical line. The figure is centred against a plain, off-white background.
A plate of pan-fried gyoza sits on a dark wooden surface. A small bowl of dipping sauce and a pair of chopsticks accompany the dumplings.
A glass jar of red-orange fermented vegetables sits on a white wire shelf. A white label on the front reads “Kimchi vegano”, with a list of ingredients below.
The storefront of a cafe features a large window and a white wall with a blue “Pei+” logo. A simple wooden bench sits on the pavement below, flanked by two potted plants.

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Lucía Peralta & Marco Cofrades: Casa Pei + creative direction and design (Copyright © Lucía Peralta & Marco Cofrades / Casa Pei +)

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About the Author

Liz Gorny

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Liz (she/they) is the senior editor at Insights, a research-driven department within It’s Nice That. They previously ran the news section of the website. Get in contact with them for potential Insights collaborations or to discuss Insights’ public-facing reports.

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