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Three amber glass bottles stand against a dark green background. Each has a label featuring a block of text with a cutout shape that reads “THE OLD MAN”. The labels are gold, white and blue.

A design agency in Hong Kong has rebranded one of the region’s most established and beloved bars

.Oddity Studio in Hong Kong takes a contemporary twist on the stories of Hemingway in The Old Man bar’s new visual identity.

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Date
5 April 2022

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It was never going to be an easy task to redesign The Old Man bar, one of Hong Kong’s most beloved bars in the business right now. But, five creatives at the Hong Kong-based .Oddity Studio have risen to the task: giving a bar with a cult-following a refreshed and innovative identity for its patrons. It’s full of “multilayered compositions with photography and expressive typographic layouts,” says Alice Mourou, creative director and founder of the studio. “The brief was to re-brand a well established bar and to give it a burst of energy to prove things are indeed getting better with time,” she adds. It’s a tie-in to The Old Man’s use of aged alcohol and innovative cocktails, which provided a wealth of inspiration for the studio. “We kept the original symbol of the bar and turned it into a system of dynamic shapes that still keep that recognisable visual, yet are more flexible and playful,” says Alice.

More interestingly, the bar has chosen to tie-in its identity with literature – much to the delight of the team at .Oddity. “We had to introduce a great deal of Hemingway’s writings, his life and work into the bar,” Alice explains to us. “The challenge was to adapt quite wordy content for the menu, with stories for each cocktail, a lot of information that can not be just simply laid out as a body copy as no one would read it in a busy bar.” To do so, the studio experimented with shapes and motion, “making it relevant to today’s social media which is anything but static,” says Alice.

Gallery.Oddity Studio: The Old Man (Copyright © .Oddity Studio, 2022)

A pink cocktail in a coupe glass sits centrally against a white background. The image is a collage, layered over fragments of orange-red fruit and a page of printed text.
A collage featuring a tall, pink cocktail in a fluted glass, garnished with a sprig of greenery and a small olive on a pick. The drink is set against a white background, framed by torn paper and a textured, straw-like backdrop. Large serif text reads “Solitary” at the top and “Man” at the bottom.

It wasn’t just literature that helped .Oddity’s vision come to life. “The name of The Old Man inspired the ‘and the sea’ hint of blue colours within our visual language,” Alice tells us on the typographic aspect of the redesign. “Typeface choice is a quite obvious homage to the typewriter: we picked GT Alpina and GT Alpina Typewriter, with a particularly pointed pen sealing our choice.” Tapping into the bar’s mostly-digital communications (across social media), .Oddity also worked on motion design to grab audiences’ attention. “This medium of type in motion inspired us to create more playful and experimental layouts that are used in both print and digital.”

Now, The Old Man has a beautiful visual tapestry to accompany its stunning menu, with everything from colour combinations to the “humorous falling letters reflecting on Hemingway’s irony and boldness,” Alice explains. “And each cocktail has a connected story: the ‘Fisherman’ cocktail type layout has the shape of a fishing rod, for example.” We know where we’ll be stopping by for a drink the next time we’re in Hong Kong.

Gallery.Oddity Studio: The Old Man (Copyright © .Oddity Studio, 2022)

A bright blue rectangular shape with notched corners is laid over a grainy, black and white photograph of a sea and distant mountains. White serif text reads “THE” at the top left and “OLD MAN” at the bottom.
Four blue and white diagrams show different arrangements of the words “the”, “old” and “man”. Each diagram features a central blue block with sliding elements that shift the position of the text.
An open book with a textured, cream-coloured left page and a grey right page. The right page features the words “Out of the Shell” arranged across a grid of white squares.
An open book shows a layout for a product called “Fisherman”. The right page features a red line drawing of a fish and the word “Fisherman” in a bold serif typeface.
A two-page spread of a printed brochure. The left page features a pale yellow background with the words “Dreams of Lions” printed in reverse. The right page is a muted pink and reads “Over-the-Hill” in a serif typeface.
An open book with a yellow cover and white pages. The right side features the title “The Lost Generation” above a pattern of white splatters on yellow geometric shapes.
A cocktail menu titled “The Critical Heritage” lists a series of drinks with poetic names. Each drink is paired with a detailed list of ingredients, such as “Lacto-fermented tomato” and “Chocolate malt distillate”.
A close-up of a menu listing a series of drinks with evocative titles. Bold headings include “The Critical Heritage”, “Doomsday” and “The Lost Generation”, each followed by a list of complex ingredients.
A rectangular product box set against a black background. The right side lists three cocktails inspired by Hemingway: “The Sun Also Rises”, “A Moveable Feast” and “Soldier’s Home”, each with a list of ingredients. The bottom edge reads “Old Time Favourite” and “$120”.
A typography specimen sheet showcasing various weights and styles of a typeface. The top half features a hierarchy of text from “Headline” to “Typewriter Text” alongside enlarged characters “a”, “Q”, “j” and “r”. Below, four blocks of alphabets and symbols demonstrate different font weights, including “Gt Alpina Thin” and “Roboto Condensed Bold”.
A grid of six colour-blocked panels, each featuring the same graphic. The design shows a horizontal bar with the words “THE OLD MAN” split around it.

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.Oddity Studio: The Old Man (Copyright © .Oddity Studio, 2022)

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About the Author

Joey Levenson

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Joey is a freelance design, arts and culture writer based in London. They were part of the It’s Nice That team as editorial assistant in 2021, after graduating from King’s College, London. Previously, Joey worked as a writer for numerous fashion and art publications, such as HERO Magazine, Dazed, and Candy Transversal.

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