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An impressionist painting of a river lined with autumn trees under a blue sky. The words “The Courtauld” are laid over the centre in a white serif typeface.

Spy Studio rebrands The Courtauld, marking its reopening after a three-year closure

The design studio has repositioned the brand and website to bring the organisation’s many strands together, into a more “impactful whole”.

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Date
15 December 2021

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As The Courtauld Gallery opens to the public following its closure in 2018, so too does the work of London-based Spy Studio on its rebrand, which can be viewed alongside the gallery’s extensive refurbishment. To reposition the renowned arts centre, Spy Studio took the many strands of The Courtauld – today a public gallery, art collection, academic faculty and independent college – developed by various teams, often using different logos, and united them as a cohesive brand.

“The Courtauld, although truly renowned, had over the years become seen as stuffy, complicated and a bit old fashioned,” Spy Studio’s co-founder Ben Duckett tells It’s Nice That. To reflect The Courtauld’s cornerstone belief in “art for all”, its rebrand is driven by clarity and inclusivity, “making The Courtauld more transparent and accessible to as many people, regardless of age or background, as possible”.

Two posters for a Van Gogh exhibition at The Courtauld are displayed on a white tiled underground wall. The posters feature a self-portrait of the artist and the text “Van Gogh Self-Portraits”.
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Spy Studio: The Courtauld rebrand (Copyright © The Courtauld, 2021)

To counteract any lingering perceptions of outdatedness, Spy Studio has incorporated a more “surprising and vibrant” colour palette, drawing from the wealth of colour references in The Courtauld’s own collection. These palettes are employed throughout the typeface and as blocks to keep materials warm and lively. Flexible grids were used to allow type and imagery to flow, implying openness. Language across the gallery and website was also made “less academic”, so texts can be “pithy and relevant to the differing audiences they are appealing to”.

The rebrand includes a website, gallery signage, wider branding and wordmark. The latter of which “echoes [The Courtauld’s] chiselled sandstone building whilst being reminiscent of hand-drawn lettering”. Like the rebrand itself, “reflecting an air of history with a contemporary edge”.

“For such a large, sprawling institution with rich visual content,” Ben Duckett concludes, “the brand toolkit needed to be simple. It has empowered The Courtauld to be consistent and coherent, as well as providing flexibility – to shout loudly and cut through, or sit quietly and let the content speak for itself.”

GallerySpy Studio: The Courtauld rebrand (Copyright © The Courtauld, 2021)

A website for The Courtauld is displayed across a desktop monitor, a tablet and a smartphone. The homepage features a painting of a person in a crowded room, with large buttons reading “The Gallery” and “Our Degrees”.
A grid of nine pages from The Courtauld brand guidelines. The pages detail the logo, colour palette, typography, and examples of posters, books and signage.
Two prospectus covers for The Courtauld. The pink cover reads “History of Art”, “Curating” and “Conservation” above a photo of a person using a microscope. The green cover reads “BA History of Art” above a landscape painting.
A poster for The Courtauld gallery is pasted onto a grey, industrial metal wall. It features a classical painting of the crucifixion with the bold text “Botticelli’s Altarpiece”. Smaller text at the bottom lists the dates “12 June – 15 September” and the gallery website.
A collection of yellow promotional materials for The Courtauld gallery, laid over abstract paintings. One poster reads “Join the Art Movement” and “Become a Friend”, while another says “Welcome to the Art”. A small membership card displays the name “James Smith” and a friend number.
An exhibition wall text titled “Drawings Gallery” introduces a display called “Pen to Brush: British drawings and watercolours”. The text describes a selection of works from the Courtauld’s collection spanning the 17th to the mid-20th century.
Three smartphone screens show the mobile website for The Courtauld. The pages feature a clean layout with serif typography, a yellow call-to-action section and a Van Gogh self-portrait.
A 3D render of a jigsaw puzzle box featuring a Claude Monet painting of a coastal landscape. The box is partially open, with several loose puzzle pieces scattered around it on a plain white surface. The packaging reads “The Courtauld” and “Claude Monet Jigsaw Puzzle”.

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Spy Studio: The Courtauld rebrand (Copyright © The Courtauld, 2021)

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About the Author

Liz Gorny

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Liz (she/they) is the senior editor at Insights, a research-driven department within It’s Nice That. They previously ran the news section of the website. Get in contact with them for potential Insights collaborations or to discuss Insights’ public-facing reports.

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