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Tracey Emin to bring emotional major new show to the White Cube in early 2019

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Date
12 December 2018
A painting of gestural, black ink figures on a pale beige background. The figures are rendered in loose, scribbled lines, with a touch of purple on the right.
Above

Tracey Emin: You Kept Watching Me (2018) via White Cube

Tracey Emin, one of the best-known of the YBA mob, is readying a major new solo show at south London’s White Cube gallery early next year. A Fortnight of Tears will open on 6 February, running until 7 April 2019.

Set to fill all the gallery space available — and if you’ve ever spent a pleasant Saturday afternoon strolling around the White Cube after gorging yourself silly in one of Bermondsey Street’s numerous top-notch eateries, you’ll know that that is a lot of space — the show will bring together brand new paintings, photographs, sculptures, and a stash of the neon works she’s been specialising in, in recent years.

The bronze sculptures will be the largest that Tracey’s ever turned her hand to, and the photos make up a new series called Insominia. The White Cube says of the work: “selected from thousands of self-portraits taken by the artist on her iPhone over the last couple of years, these images spontaneously capture prolonged periods of restlessness and inner turmoil.” Just what you want when you’re taking a cultural day trip.

The gallery goes on to say that the work in A Fortnight of Tears stems from the artist’s “deeply personal memories and emotions ranging from loss, grief, longing and spiritual love.”

She’ll be rounding off the exhibition with How it Feels a candid and moving account of her abortions that changed her whole approach to making art, shot in 1996.

A painting of a reclining figure rendered in loose, gestural blue lines on a white background. Red paint drips and splashes accent the bottom of the canvas.
Above

Tracey Emin: Sometimes There is no Reason (2018) via White Cube

An abstract painting in shades of pink, purple and white on a pale beige background. Loose, gestural lines and washes of colour suggest a reclining human figure.
Above

Tracey Emin: It Was All too Much (2018) via White Cube

A painting on a cream background features the handwritten text “A FORTNIGHT OF TEARS” in dark red. Below the words are two abstract, gestural figures rendered in the same deep red paint.
Above

Tracey Emin: A Fortnight of Tears (2018) via White Cube

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About the Author

Josh Baines

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Josh Baines joined It's Nice That from July 2018 to July 2019 as News Editor, covering new high-profile projects, awards announcements, and everything else in between.

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