Another busy week collating the content for Issue #2, and some lovely stuff to keep you abreast of. We interviewed the fantastic Wilfrid Wood at his studio (pictured), spoke to Michael Gillette in San Francisco via the power of Skype and ventured up to North London to have a look (and listen) to Airside founder and one-half of Lemon Jelly, Fred Deakin’s record collection. As well as work coming in from the likes of Noma Bar, Barnaby Barford, Brock Davis, Mother London and Dominic Wilcox.
All coming together very nicely, pre-order is available now.
- Hick Duarte uses his camera to document the plurality of Brazilian youth culture
- Fhuiae Kim explores “the third language” in her calming graphic design works
- Folch designs a typeface embodying the “energetic universe” of acid house
- Illustrator Michael McGregor turns the mundane into something extraordinary
- All together now: Pascale Claude compiles a visual history of the beloved footie record
- “Part-animal, part-household object”: Frédérique Rusch on her wonderfully cryptic illustrations
- “We want to challenge and disturb the audience”: meet graphic design studio Alliage
- Matt Willey leaves The New York Times Magazine and joins Pentagram
- Ikki Kobayashi’s new series investigates the tension between shapes and negative space
- “Perfectly beautiful things don’t attract me”: Heesun Seo on her nontraditional practice
- The Pantone Colour of the Year 2020 makes a statement about peace and communication
- Moleskine’s digital notebook and a visual inventory of Earth win Apple's Apps of the Year