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A comic strip in four panels with a yellow-skinned figure. In the first two panels, the figure peels away their nose to reveal a red pig snout underneath. The third panel shows the figure lying in a field of daisies, while the fourth depicts a pink pig-like creature in a business suit sitting at a desk in an office.
A comic strip in four panels with a yellow-skinned figure. In the first two panels, the figure peels away their nose to reveal a red pig snout underneath. The third panel shows the figure lying in a field of daisies, while the fourth depicts a pink pig-like creature in a business suit sitting at a desk in an office.

Two new projects from Korean-French publisher Animal Press

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Date
31 July 2017

Regular readers of It’s Nice That will be no stranger to the work of Baptiste Virot: his idiosyncratic illustrations retelling relatable everyday scenes in a whirlpool of brash, intoxicating colour.

Partnering with his girlfriend graphic designer Jinhee Han, for the last few years, Baptiste has been working on Korean/French publishing project Animal Press. Much has changed since 2013, when Animal Press first made it’s way into the world.

Back then, the duo focused on making text-heavy zines before refocusing tightly on printed images. These days, its output spans “posters, books, zines and postal cards”.

Jinhee and Baptiste recently launched a Kickstarter with the hope to raise the funds to publish two new books. “These will be the first two publications of a series of artists books,” Jinhee explains. “To me, it’s a new start for Animal Press. I was happy to make small zines, but I wanted to publish ‘the books’ and diffuse our work. Festivals and book fairs are great, but extending and finding our readers is important too.” The books are the work of Jeremy Piningre, who Baptiste met when studying at HEAD. “The school is unique in the French illustration and alt-comic scene,” Jinhee explains. “Many young artists are from this school. They gave a powerful bond between them, work and share ideas together even after graduation.”

“I love Jeremy’s work,” Jinhee continues. “His work is special. It’s a delicate sense of sad humour in gothic ambience.” Along with new work from the French graphic designer in his typically surreal cartoonish style, Animal Press hope to publish new work by Baptiste, this time breaking from his usual attention-grabbing colours to linger longer with nuance. “Working with Baptiste is a great experience,” Jinhee says. “He has a lot of talent, and I think it’s rare to work with someone like him. This time he’d like to chance a little bit of his style. Delirium will be more abstract and mysterious. I am so excited to show this book to people. Everyday he shows me his new page right after he finished drawing, it’s just great!”

Lending us a sneak peek into the books, Jinhee tell us that each publication is set to will run to 96 pages in offset print. “We’ve never tried offset for printing, so I’m eager to have this experience,” Jinhee says. “We’ll use fluorescent and spot colours to have vibrant power like the prints we’ve made so far.” Small but mighty, Animal Press has plans to grow in size and stature, diversifying as it grows. “I am a little worried as apart me there are only white males in our list,” Jinhee admits. “I don’t want to lose the balance which is really necessary in this world. I need to find more people. That is a really important goal.”

An illustration of a wide-eyed person with blonde hair and a shocked expression, shouting with their hands to their mouth. They wear a green patterned shirt and blue jeans against a bright blue background. Stylised text at the top reads “DELIRIUM”.
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Animal Press

A comic strip in eight panels with a purple border. A green hand reaches from behind a red curtain to touch a figure in a tan cloak, eventually pulling the cloak away to reveal a pink figure.
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Animal Press

A comic strip in a bold, primary colour palette arranged in a grid. It follows a figure with pink skin and glasses through a series of abstract scenes. The final row features the words “FIN”, “the end” and “おわり”.
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Animal Press

A comic strip on a bright green background titled “24h/24 Délirium”. Twelve panels follow a person in a yellow shirt as they interact with a giant red face.
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Animal Press

A black and white comic cover titled “Meta Comix No 7”. The layout is a collage of abstract shapes, botanical illustrations, and a reclining figure. A central black box contains the text “Staring Ron Nagle & Real Comic Sans MS”. Below this, it reads “Included : parallel seizing between art and love”.
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Animal Press

A black and white comic strip by Baptiste Virot. The first panel features the title “Hello Goodbye” in bold, stylised lettering. The story follows a person sitting in a living room who is transported into a surreal landscape. They stand on a diving board and jump into a giant, mouth-like opening in a grey block.
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Animal Press

A black and white comic strip featuring a zebra across several panels. The zebra moves through various scenes, including a room with a television and a caged area, before appearing alongside a silhouette of a person.
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Animal Press

A black and white illustration of a surreal, tiered structure containing various abstract scenes. Handwritten French text is scattered across the page, including the phrase “je fais ce que je peux”.
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Animal Press

An abstract illustration using bold primary colours and heavy black outlines. A yellow curved shape arcs across a composition of red and blue geometric forms, with a small figure in a yellow garment at the bottom.
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Animal Press

An illustration of a person in yellow overalls holding a paintbrush aloft. They stand inside a white rectangular frame, having painted a bold red squiggle above them.
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Animal Press

An illustration of surreal, interlocking figures and creatures in a bold, graphic style. The composition features a mix of organic shapes in shades of green, blue, yellow and pink, outlined in heavy black.
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Animal Press

An illustration in a bold, colourful palette with a header that reads “CHAUSSETTES ET MATCH”. A figure holds a tennis racket in a surreal, organic landscape of pink and blue shapes. To the right, a close-up of a face looks on beside a pile of yellow tennis balls.
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Animal Press

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About the Author

Bryony Stone

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Bryony joined It's Nice That as Deputy Editor in August 2016, following roles at Mother, Secret Cinema, LAW, Rollacoaster and Wonderland. She later became Acting Editor at It's Nice That, before leaving in late 2018.

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