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An illustration of a stylised figure with a large, red face and black hair. They wear a purple long-sleeved top and pink trousers, standing with one hand raised.
An illustration of a stylised figure with a large, red face and black hair. They wear a purple long-sleeved top and pink trousers, standing with one hand raised.

Audrey Weber’s eccentrically enlarged figurative illustrations

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Date
22 February 2017

Illustrator Audrey Weber has a knack for utilising ordinary human features and painting them into eccentrically enlarged characters. Her composed paintings balance figurative drawings with a psychedelic twist.

Based in Massachusetts Audrey lives on a small farm on the hills where she moved after studying theatre design, “but began to work more in illustrations in my last couple of semesters,” she explains. Since graduating in 2011 the illustrator has been creating zines of her work which allows her to “work through broader themes and ideas in a more personal way”.

In terms of materials and tools Audrey began “using ink and then moved to watercolours and now I work almost entirely in gouache,” she tells It’s Nice That. “I’ve been making a lot of individual paintings recently but narrative is extremely important to my process.” This application of narrative is instantly noticeable in Audrey’s pieces, through detail they encourage the viewer to imagine their own background behind the piece. “I write by drawing, sometimes I think of each new drawing as auditioning itself for a story, either the character or the colours or the action in the drawing.”

Audrey is currently focusing her attention on a picture book alongside her zine-making practice. In her experience, creating an ideal picture book includes “learning the craft of meaningful simplicity and exploiting the power of the text and image relationship”.

“I try to allow my work to rest in a place between poles," says Audrey, "between cute and creepy, between masculine and feminine, between structured and loose, between silly and serious.”

An illustration of a figure standing with legs apart against a plain cream background. They wear a blue and white polka-dot top and oversized, thigh-high orange boots.
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Audrey Helen Weber

A painting of two figures walking together against a plain cream background. One wears a yellow top, pink trousers and red boots, while the other wears an orange top, blue trousers and yellow boots.
Above

Audrey Helen Weber

A painting of a person in a blue top and yellow trousers, kneeling on one leg. They wear a large, red mask of a face that completely covers their own head.
Above

Audrey Helen Weber

An illustration of a figure in two poses, wearing a large, blue-dotted oval shell. In the first, they stand with arms raised; in the second, they bend forward, tucked inside the shell.
Above

Audrey Helen Weber

A collage of two similar panels showing a person in profile beneath a red sun with trailing orange rays. In the left panel, the person’s face is a bright red, while in the right, it is a golden yellow.
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Audrey Helen Weber

An illustration of a figure with a large, jagged yellow sun for a head. They wear a pink jumpsuit and black shoes, walking against a plain cream background.
Above

Audrey Helen Weber

An illustration of a person lying on their side in a pink top. A white bird perches on their back beneath a bright, jagged yellow sun.
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Audrey Helen Weber

An illustration of a stylized figure with a large, bean-shaped body covered in black and white spots. Their arms and legs extend from the edges of the shape, with hands raised high.
Above

Audrey Helen Weber

An illustration of a person in a crouching pose, wearing a white bodysuit covered in black spots. A large, green, leaf-like shape with small red tips grows from the top of their head.
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Audrey Helen Weber

An illustration of a figure with blue skin wearing a large, rounded brown coat and a red bobble hat. They wear blue trousers and red shoes, standing against a plain off-white background.
Above

Audrey Helen Weber

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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