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A large wooden skate bowl fills the lower half of a warehouse. Above, a dark timber roof is lit by long fluorescent strips and skylights.

Superb work from Benedict Radcliffe as he builds gorgeous skate/performance bowl

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Date
27 July 2012

Personal projects are often a great way for creatives to showcase their skills emancipated from the commercial restrictions which can sometimes hold them back in their day-to-day work. And designer/engineer/woodworker/metalworker Benedict Radcliffe has proved once and for all that if something’s worth doing, it’s worth doing properly.

He negotiated with a company who owned an old shop to get hold of the wood they were discarding and then rented a space just off Brick Lane in east London to build this beautiful bowl which will be used for dance and theatre performances as well as BMX and skating. Measuring 15m x 9m and 1.5 meter deep (with a 7.5ft transition) it’s a tremendous example of his consummate craftsmanship on a scale that renders it all the more impressive. And the fact he did it off his own back proves there’s no excuse for sitting around between projects…

A large wooden skate bowl sits in the centre of a bright, industrial warehouse. The space features white walls, arched windows and a red steel roof structure.
Above

Benedict Radciffe: Bowl

A close-up of a large, shallow wooden bowl with a curved rim. The interior is crafted from alternating strips of light and dark wood in a radiating pattern.
Above

Benedict Radciffe: Bowl

A person on a skateboard glides along the curved edge of a large wooden bowl. They are inside a spacious warehouse with white walls and a high, exposed timber roof.
Above

Benedict Radciffe: Bowl

A set of dark wooden stairs with a jagged, zig-zag profile leads up to a mezzanine. The space is constructed from light-coloured plywood panels and exposed timber beams.
Above

Benedict Radciffe: Bowl

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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