Between the years of 1965 – 2005, Bernard Chadebec worked as a graphic designer for the National Research and Safety Institute of France. During his 40 years at the company Bernard designed over 300 posters that aided the prevention of occupational accidents. However Bernard’s design interpretations of safety warnings in the workplace grab your attention in a bold, amusing way. The designer created accident prevention posters you actually want to look at, a refreshing take on an area of graphic design infamously mundane.
A selection of posters from Bernard’s career are featured within a new publication, Intrus Sympathiques by Rollo Press, a Zurich-based publisher which charmingly began “more or less accidentally after purchasing a risograph from eBay”. Designed in association with students at HFG Karlshue, the book displays a collection of foldable posters displaying the very best of Bernard’s design approach. Its release coincides with the first exhibition of Bernard’s work at Écomusée Creusot Montceau.
This publication celebrating Bernard Chadebec’s brilliant work proves what could be a monotonous design job can be an opportunity to create something groundbreaking, and fun.
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- Ben Cullen Williams on investigating how a computer would dance
- From The New York Times to a comic on sex, illustrator Kati Szilágyi discusses her recent work
- Alan Warburton explores CGI production, toxic masculinity and vision through his hybrid practice
- “Animation is now a must for posters”: Sunny Studio on design for the digital age
- Greta Grotesk is a typeface in homage to the teenage activist’s handwriting
- Graphic Design is Mental: Tips for looking after your state of mind as a designer
- Alan Titchmarsh stars in new campaign for Adidas’ Gardening Club collection
- Banksy opens his own store, Gross Domestic Product, in wake of legal dispute
- Moonlight, Ex Machina and The Witch go to print in three books designed by Actual Source
- Sometimes Always’ identity for São Paulo bar Caracol has over 10 billion compositions
- Basile Fournier speculates on how technology will affect the role of the future designer