Back in 2006, Bryan Formhals was a listless screenwriter-turned-flâneur, wandering the streets of Los Angeles armed with a rangefinder and buoyed by dreams of a film he was never to write. Instead his hours traipsing about Hollwood turned into this photo series, Los Angeles 26, an ethereal study of fleeting moments and contrasts caught on camera.
I’ve watched enough films set around these star-studded streets to feel as though I too know them well; the old familiar palm trees standing up to attention in blinding sunlight and the neat concrete sidewalks (see, I even know the parlance!). Bryan’s images have that memory-catching quality, providing a picture of the sort of snap-shots our minds take; sometimes blurry or vague, sometimes vivid and precise, but always atmospheric.
- Daniel Britt’s hilariously surreal animations makes the nonsensical appear logical
- Ben Cullen Williams on investigating how a computer would dance
- From The New York Times to a comic on sex, illustrator Kati Szilágyi discusses her recent work
- Alan Warburton explores CGI production, toxic masculinity and vision through his hybrid practice
- “Animation is now a must for posters”: Sunny Studio on design for the digital age
- Greta Grotesk is a typeface in homage to the teenage activist’s handwriting
- Graphic Design is Mental: Tips for looking after your state of mind as a designer
- Alan Titchmarsh stars in new campaign for Adidas’ Gardening Club collection
- Banksy opens his own store, Gross Domestic Product, in wake of legal dispute
- Moonlight, Ex Machina and The Witch go to print in three books designed by Actual Source
- Sometimes Always’ identity for São Paulo bar Caracol has over 10 billion compositions
- Basile Fournier speculates on how technology will affect the role of the future designer