It feels like forever I’ve been on the hunt for a really great illustrator making work almost exclusively about the dark ages. Most commercial image-makers are so caught up in the here and now that they forget the wealth of inspiration available from mankind’s most barbaric era; the bear-baiting, the bloodthirsty duels, perpetual burning of witches and the frankly disgraceful personal hygiene.
But French illustrator Célestin Krier eschews all the nonsense of modern living to focus on these exact subjects. His portfolio is littered with barbaric imagery, rendered in a childlike hand on primitive software. There’s enough violence in there to sate even the most savage of minds, so pick up your gauntlets and longsword and wade in to the stinking cave of Célestin’s imagination.
- A real bobby-dazzler, it’s Best of the Web!
- Max Guther is back with more hyper real illustrations visualising social trends
- The Igor has landed: Igor Bastidas on our animated cover for Printed Pages AW17
- Balmer Hählen takes a traditional Swiss design approach to its projects
- Friday Mixtape: a very rare mixtape from the one and only John Carpenter
- Josh McKenna talks through his work on Pride for Google and Instagram
- Peter Funch has photographed the same people on the same street for nine years
- DBLG and Animade’s cheeky stop-motion animation uses human skin and 3D stamps
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity
- Get to know the fluid work of graphic designer, Steffen Hotel
- Fukt magazine presents the erotic drawings of David Shrigley, Tracy Emin and many more
- Poster Girls, an exhibition of 150 female graphic designers opens at London Transport Museum