A recent South American edition of Franz Kafka’s Un Artista del Trapecio (English title: First Sorrow ), which concerns a successful but lonely trapeze artist, showcases a talented illustrator at the top of his game.
Christian Montenegro, an Argentina-born artist with a background in comic-production and graphic design, has imbued this publication with an appropriately theatrical quality; flat black backgrounds imply dark cavernous spaces, from which our main character and his peers are suspended in brightly and variously coloured and gradated geometric formations. Montenegro’s use of stark straight lines perhaps evoke interesting and relevant qualities of imprisonment, measurement, and compartmentalisation, but the result is a visual production as composed, pleasing, and harmonious as successfully-rehearsed choreography. Good show.
- Superimpose Studio on the impact of Brexit on the creative industries
- Photographer Namsa Leuba makes the invisible stories of Voodoo visible
- A whizz through the portfolio of Italian illustrator Marco Oggian
- Alex Vasilyev's compelling photographs of locals living in Russia's coldest region
- Friday Mixtape: Rae Morris curates a winter-focused mix
- Good Sport Magazine: sport-focussed content, through the lens of much broader reaching interests
- Lacoste swaps famous crocodile logo for ten endangered species
- Director of Taylor Swift's Delicate video accused of copying Spike Jonze’s Kenzo advert
- These Swedish kids designed a typeface to celebrate their neighbourhood
- A new Vitra Museum exhibition shows the hedonistic history of nightclub design
- A chat with the anonymous archivist behind vintage smut celebration Hardcore Decor
- A peek inside the bulging, bold portfolio of multidisciplinary studio Spassky Fisher