Yesterday the great and the good of the art world descended on Tate Modern for the press preview of Damien Hirst’s much-anticipated retrospective. The work on show spans more than two decades with many of his greatest hits from pickled sharks to pill bottles and the famous diamond-encrusted skull. Expect po-faced editorials and furious radio phone-ins on the subject, but in terms of dragging conceptualism into the mainstream Hirst’s legacy is hard to quibble with.
Kudos to Channel 4 for a couple of excellent programmes to coincide with the launch and for this interactive look-round what is sure to be one of the most talked-about shows of 2012. It’s only available for a week which is an interesting angle on the online-offline gallery debate. Have a look, and arm yourself for the inevitable debates it will cause.
The show runs until September.
- Ivana Bobic on exploring tactility in film, and how to make slow-mo jelly boobs
- The history of the hotel Venets: a 22-storey metaphor for Soviet utopia
- The Papier Machine collection of DIY electronic paper toys reinvents the activity book
- Brie Moreno's back with more felt tip-filled, curvy illustrations
- Meet Monkey Type, an international collective bananas about fonts
- Arielle Bobb-Willis’ colour-packed portfolio is the photographic equivalent of a SAD lamp
- Pee on this Ikea print ad, and if you’re pregnant, you get a crib half price
- Coca-Cola reveals custom typeface, TCCC Unity, inspired by its modernist heritage
- Muji to open “anti-gorgeous, anti-cheap” hotels in China and Japan
- The rebrand for Russia’s tourist board uses Suprematist geometry laid out as a map
- The Guardian unveils redesign across print and online
- A first look at Uber and NASA's new flying vehicle