It’s no great revelation to state that public art can be fairly hit and miss but kudos to The Standard Hotel in New York who have shown exactly how you go about it. 1. Pick someone brilliant, like Erwin Wurm. 2. Let that someone brilliant do what they do best. 3. Stick the piece on show and wait for the plaudits to roll in. Unveiled yesterday, Big Kastenmann (translated as Big Boxman) is an 18-foot high headless aluminium surrealist sculpture, part-coated in dripping pink enamel paint. It’s actually a giant version of one of the artist’s pieces from 2010 but on this scale and in such a busy location, it takes on a whole new meaning, like a freeze-frame from a deliciously whimsical disaster movie.
“My work is very much about interaction, and The Standard’s location and the size of the work ensure that Big Kastenmann will be accessible to many people, which is the essence of public art,” Erwin said.
The sculpture is on show until November 2.
- The art of plane watching captured by Mindaugas Kavaliauskas
- Friday Mixtape: escape from the world with Xenoula's ethereal mix
- Towers of Thanks: Res photographs his mother's life working for Donald Trump
- A world of pain: Sixteen Journal's latest issue
- R Kikuo Johnson on the importance of narrative in his illustrations
- Miguel Pang’s hand-drawn approach adds texture and depth to his illustrations
- Parker Day's lurid colours and grotesque characters elevate identity and fantasy (NSFW)
- Paper reveals Break the Internet take two, with Nicki Minaj shot by Ellen von Unwerth
- Bea de Giacomo photographs the wonders of pregnancy
- Matthieu Lavanchy recreates food emojis "irl" for The Gourmand's tenth issue
- Introducing Broccoli, the publication “normalising cannabis use, especially for women”
- One Step Ahead: we meet Paula Scher, the trailblazing Pentagram Partner