Etienne Gros pulls and tucks dense foam to take the form of a shapely lady minus head and legs (very like a squidgy Venus de Milo) – the result, Les Mousses, is so simple and so effective (though undoubtedly takes some skill to realise) that I’m only able to muster the singular thought of “brilliant”.
Checking out the rest of the artist’s work, he is no stranger to the nude, indeed his whole oeuvre is made up almost exclusively of contemplating it in different media. Just like the many, many artists before him, the naked female form is both a thorough study of mass and flesh but also for the love of it – only I’m pretty sure Etienne is the only one sculpting sponge.
- Photographer Svetlana Bulatova documents the environmental trauma of the Chechen wars
- From designer to full time artist, Caroline Walls on her gestural paintings
- Benjamin Muzzin on how digital art needs to be “shaken up badly”
- Choose Your Fighter: illustrator Kevin Sabo’s queering of hyper-masculine gaming culture
- Matthew Jones gives insight into Accept & Proceed's work for Nasa
- Illustrator Jordan Awan on fulfilling his childhood dream
- How Pelle Cass creates his jarring “still time-lapse” images
- Apple's new typeface is available for use right now
- Channelling personality into branding: Commission Studio on Fenty’s new visual identity
- Does the perfect portfolio exist? Top creatives and studios offer their advice
- Droga5 unveils undulating identity for London’s newest outdoor destination, The Tide
- Applications are now open for The Graduates 2019!