Etienne Gros pulls and tucks dense foam to take the form of a shapely lady minus head and legs (very like a squidgy Venus de Milo) – the result, Les Mousses, is so simple and so effective (though undoubtedly takes some skill to realise) that I’m only able to muster the singular thought of “brilliant”.
Checking out the rest of the artist’s work, he is no stranger to the nude, indeed his whole oeuvre is made up almost exclusively of contemplating it in different media. Just like the many, many artists before him, the naked female form is both a thorough study of mass and flesh but also for the love of it – only I’m pretty sure Etienne is the only one sculpting sponge.
- National Geographic’s creative director Emmet Smith on the publication’s redesign
- Leon Mark’s refined and infinitely stylish photography
- Sophie Harris-Taylor shares anecdotes and insights from her photo series, Sisters
- Designer Anatole Couteau's technical approach lets him communicate simply and precisely
- A peek inside Hicham Amrani's trippy new comic Svend & Xanax
- Friday Mixtape: The Orielles mix for "good times with good people"
- Pentagram rebrands Battersea dogs and cats home to visualise "personality over sentiment"
- Craig Oldham dishes out brutally honest advice to new graphic designers
- ManvsMachine create its most ambitious campaign for Air Max Day yet
- V&A announces shortlist for its Illustration Awards 2018
- Ten examples of rare letterings, from 19th-century alphabets to preliminary drawings of Futura
- Bad week for art world as Jeff Koons piece is smashed and imitation Happy Meal thrown away