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An illustration of a giant broom sweeping several people across a yellow surface. The figures are tumbled together in a cloud of dust and debris.

Eva Bee’s topical editorial illustrations get straight to the point

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Date
10 March 2016

Eva Bee’s illustrations tackle all the big issues from climate change to censorship. Her ability to succinctly tell a story while still being implicit is impressive and why The Guardian, The Boston Globe and Reader’s Digest are listed as regular clients.

Eva’s illustrations for opinion pieces like her fortnightly creations for The Guardian comment pages are where her work is strongest, and they lend themselves well to her detailed, expressive style. Her illustrations are built from hand-rendered line work, scanned in and coloured on the computer using her own textures and brushes. This harmony between the illustrator’s inky lines and smoother swathes of colour makes her work easily digestible.

While the final image is important to Derby-based Eva, the narrative behind it has to be just as strong. “Solving problems and creating interesting, eye-catching concepts that bring copy to life is key to my work,” says Eva.

An illustration of several people attempting to balance a large, 3D US flag on top of a blue European Union flag. One person pushes a white block into place, while others struggle to support the structure or slide white strips into the red and white stripes.
Above

Eva Bee: Politico Europe

An illustration of David Beckham from behind, wearing a red England shirt with “BECKHAM” and the number “7” on the back. He kicks a football, which transforms into a white upward-trending arrow against a green, gridded background.
Above

Eva Bee: The Guardian

An illustration of a person in a blue school uniform standing on a giant game of snakes and ladders. They stand on the final square, which is labelled “WINNER”.
Above

Eva Bee: The Guardian

An illustration of a person with a somber expression typing on a yellow typewriter. Their grey T-shirt features a graphic of a countdown timer with the number “0” and several jagged holes torn through the fabric.
Above
Left

Eva Bee: Index on Censorship

An illustration of a person with white hair and glasses, wearing a yellow polo shirt with arms folded. A large hand uses red scissors to cut a strip of film above them, while other film frames float across their face and chest.
An illustration of Pope Francis sitting in a blue chair, wearing white robes. The bottom of his robes transforms into a melting ice sheet, with a small polar bear standing on a fragment of ice.
Above

Eva Bee: Boston Globe

An illustration of two smartphones lying side by side on a yellow wooden surface. Both screens show the Tinder app with a large red heart and the word “tinder” at the top.
Above

Eva Bee: The Guardian

An illustration of a person in a white shirt and red-and-white striped tie leaning over a map. They hold a red mallet, poised to strike a row of small, grey soldier figures.
Above

Eva Bee: The Guardian

An illustration of a hand dropping a small yellow house into a grey ballot box. A red cross is marked on one of the house’s windows.
Above

Eva Bee: The Guardian

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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