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A photo of two people wearing face masks standing on a rooftop overlooking a busy road in Los Angeles. Above the image, text reads “Fire at mini-mall at Sixth & Western, Koreatown. California Market protected from rooftop. Gunfire exchanged.” An address is listed at the bottom.

Folder Studio's interactive documentary K-Town '92 highlights our "desensitisation to societal trauma"

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Date
30 April 2018

The 1992 Los Angeles riots were a series of riots, lootings and arsons that occurred from 29 April – 4 May. The unrest began after the acquittal of four officers from the Los Angeles Police Department who were involved in the brutal beating and arrest of African American taxi driver, Rodney King. The riots began after footage of the incident was broadcast and widely viewed on television resulting in the most destructive civil disturbance in America’s history, totalling in over a billion dollars of damage.

“For many, it was the first time they were publicly confronted with the possibility of widespread brutality and racism in police departments,” explains Los Angeles-based design studio, Folder Studio. “For those living with that reality, it was validation of their feelings of injustice towards the police,” it continues, “we’ve seen history repeat itself in 2012 with the acquittal of George Zimmerman in the Trayvon Martin case, and in the past six years, many more similar cases have surfaced. Revisiting the footage from 1992, it becomes clear just how little has changed, putting a spotlight on our lack of progress and desensitisation to societal trauma,” remarks Folder Studio in regards to its project, K-Town ’92.

A collage of five video stills from a documentary. A central shot shows a person speaking, surrounded by smaller clips of cityscapes and other people. Yellow subtitles at the bottom read “beyond a black-white paradigm when it comes to race relations in America.”
Above

Folder Studio, Grace Lee and Eurie Chung: K-Town ’92

An aerial view of a city obscured by thick grey smoke and haze. Centred text reads “Burning buildings, looters, and gun-toting merchants are the images that have been recycled for the past 25 years.”
Above

Folder Studio, Grace Lee and Eurie Chung: K-Town ’92

K-Town ’92 is an online documentary that explores the impact and legacy of the 1992 Los Angeles uprising. The film reveals loose connections between various minority experiences, accentuating the similarities and differences in their shared experience. Folder, who previously created an evolving archive documenting the life of 2Pac, were approached by the film’s director, Grace Lee, and its producer, Eurie Chung.

“The pair had been cultivating the project for a year before our introduction, interviewing subjects and gathering footage, working to differentiate their project from a number of other documentaries that were also coming out on the 25th anniversary [in 2017],” the studio recalls. The documentary focusses on Los Angeles’ Koreatown as it was the first neighbourhood to go up in flames, leading to a situation which saw Asian Americans in the middle of myriad racial and economic tensions.

A large crowd of people march down a city street, some carrying white protest signs. One sign reads “DEMAND GOVERNMENT’S FULL COMPENSATION”.
Above

Folder Studio, Grace Lee and Eurie Chung: K-Town ’92

A group of people stand together, one of whom holds a framed portrait of a person in a suit. Above them, white text on a black background reads “Eddie Lee is killed, mistaken for a looter while protecting Korean-American business.” Below the image, a location is listed as “3rd St & Hobart Los Angeles, CA 90020”.
Above

Folder Studio, Grace Lee and Eurie Chung: K-Town ’92

At the time, Koreans Americans were thriving and starting to maintain businesses which created a myth among disenfranchised communities that Korean immigrants were receiving subsidies and were somehow favoured by the government. The situation worsened after Latasha Harlins, a 15-year old African American was shot in the back by Soon Ja Du, a Korean American store owner, over a bottle of orange juice. Folder Studio explains how, “Du’s light probation sentence, along with the acquittals in the Rodney King case, set off the riots with much anger directed towards Koreans. For us, these incidents perfectly demonstrate the issue with the model minority stereotype and the consequences of western society’s export of the fear of black and brown people.”

Starting with the premise, “Who gets to tell the story?” K-Town ’92 juxtaposes interviews and footage from 1992 with Grace’s interviews from 2017. Taking advantage of the duality in the footage, it allows news reports to provide context to interviews and vice-versa. By including multiple perspectives on a single frame, K-Town ’92 allows chance and choice to play a significant role in how viewers form opinions and understanding of the event. This format allowed the studio to bypass a forced narrative and “instead let people come to their own conclusions”. Visitors to the site are free to move around and pay attention to what they’re interested in, “potentially coming away with very different understandings of the situation depending on what they chose to watch,” it concludes.

To watch the full documentary, head to K-Town ’92’s website.

A triptych of video stills on a black background. The central, largest frame shows a close-up of a person wearing a black cap, with Korean text below reading “One day when everything collapsed, where were you?”.
Above

Folder Studio, Grace Lee and Eurie Chung: K-Town ’92

A thick plume of dark smoke rises from a fire in a city skyline under a moody, purple sky. Centred over the scene, white serif text reads “Other perspectives have been ignored.”
Above

Folder Studio, Grace Lee and Eurie Chung: K-Town ’92

Rodney King speaks into microphones at a press conference, surrounded by a group of people. Text above the image reads “Rodney King holds press conference. Calls for peace and implores “Can we all get along?”” and an address in Beverly Hills is listed below.
Above

Folder Studio, Grace Lee and Eurie Chung: K-Town ’92

Two news presenters sit at a desk in a studio, looking towards the camera. To the right, a smaller screen shows figures in dark clothing, and a graphic reads “Action News 2” alongside the word “Riots”.
Above

Folder Studio, Grace Lee and Eurie Chung: K-Town ’92

A person in a navy blazer and yellow top speaks in a central video frame, flanked by two smaller clips. One shows police cars on a city street, while the other shows a person in a white T-shirt. Yellow subtitles at the bottom read “that we need to get more politically active as an Asian American community.”
Above

Folder Studio, Grace Lee and Eurie Chung: K-Town ’92

A black and white portrait of Latasha Harlins is set against a black background. Text above the image reads “Latasha Harlins, 15, fatally shot by shop owner Soon Ja Du.” Text below provides the address for “Empire Market & Liquor” in Los Angeles.
Above

Folder Studio, Grace Lee and Eurie Chung: K-Town ’92

A person stands in a street holding a handgun, looking towards the side. They wear glasses, a dark shirt, and a light-coloured waistcoat over dark trousers. A white car is parked directly behind them.
Above

Folder Studio, Grace Lee and Eurie Chung: K-Town ’92

A photograph shows people gathered around a crashed police car at night. Above the image, text reads “LAPD Police Chief Darryl Gates returns from a fundraiser to LAPD headquarters, where several hundred people protest.” Below the image is the address for “Parker Center” in Los Angeles.
Above

Folder Studio, Grace Lee and Eurie Chung: K-Town ’92

A cluttered, brightly lit room with green flooring is strewn with white papers and debris. Metal shelving units and a glass table stand amidst the mess, with a timecode overlay reading “TCR 02:01. 15:18”.
Above

Folder Studio, Grace Lee and Euriee Chung: K-Town ’92

A person in a white T-shirt and dark trousers runs past a doorway on a city street. A news banner across the bottom reads “KOREATOWN” and “Eyewitness News”.
Above

Folder Studio, Grace Lee and Eurie Chung: K-Town ’92

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About the Author

Ruby Boddington

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Ruby is Senior Creative at It's Nice That, overseeing our visual output across platforms and projects. Before that, she was associate editor on the editorial team, after joining in September 2017 following graduation from Central Saint Martins.

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