You may recognise Australian graphic designer Georgia Cranstoun’s name from our graduate line-up of 2016. Back then, the Central Saint Martins BA graphic design graduate told us that “the areas that interest me most in graphic design are book layout, typography, and print. I think there is something so special about a well-designed book, a unique typeface and unfamiliar print design”. So it’s no surprise that Georgia is back with FontExperimenta, a self-initiated project in the form of a print-on-demand “bootleg” book.
The book is a low-cost duplicate of a pricier original tome. While the original was bound with a foil-block cover, paper embossing and archive-quality photographic paper and colour images, the “bootleg” copies are printed on cheap paper in black and white, raising questions of authorship, creative property and notions of perceived “quality”. Across the pages of FontExperimenta, Georgia explores typography by unpicking both the functional and non-functional elements of letterforms from A to Z using 2D, 3D, drawings and photography. Peruse a selection from Georgia’s experimental A to Z below.
- Mikey Please takes us behind the scenes, and the backlash, of the Bake Off trailer
- From New York to Springfield, it's Best of the Web
- Taschen releases two volumes of National Geographic’s best photographs from the past 125 years
- Simon Landrein takes Dan Croll down the rabbit hole in his animated video for Tokyo
- Thomas Duffield on photographing his dad’s hidden heroin addiction
- Parker Day's lurid colours and grotesque characters elevate identity and fantasy (NSFW)
- Hate the iPhone X notch? There’s an app for that
- Lisa Simpson’s bookshelf: from the curator of Instagram’s Simpsons Library
- Biplab Hazra’s photo of elephants being attacked by mob wins Sanctuary prize
- Michael Bierut: 13 ways of looking at a typeface
- Uncle Ginger uses hypnotic shapes to animate the facts and feelings of bipolar disorder
- Michel Gondry’s John Lewis Christmas advert – Moz the Monster – is unveiled