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An illustration in blue and black of people working in a studio. In the foreground, a piece of paper features the name “Juliet” written in elegant, flowing calligraphy.

Giulia Garbin's gorgeous new book pays homage to the typographers of Turin

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Date
13 January 2015

Giulia Garbin is carving out a very particular niche for herself, as a creator of great-looking tributes to the graphic design days of old. Her graduation project from the Royal College of Art was a stunning book celebrating the last printers in London’s Fleet Street and her new offering is a visual homage to the typographers of Turin.

The latter grew out of the former, after Stefano Riba of the Print About Me press saw a copy of her hand-printed The Street of Ink book and invited her to the Italian city to work her magic there. The result is Tipi di Torino, which is described as “five tales and five typefaces describing the splendour, the decline and the rebirth of letterpress and typography in Torino.” The title is a play on the dual meaning of “tipi” which translates both as “dudes” and as “movable type fonts.”

Giulia set about the task by immersing herself in Turin and the historic type scene which can be found there. “I wasn’t very familiar with the city and its history before,” she says. “For decades Turin was inextricably connected to the idea of a foggy, grey, polluted industrial city. To the masses the name just recalled Fiat (the car factory) and Juventus (the football team).

“But it was the first capital of Italy, so the buildings reflect the grandeur of the monarchy, then it has the second biggest Egyptian Museum in the world. It’s definitely an interesting city.”

Giulia visited Turin a couple of times and was introduced to the people who would become the protagonists of the handsome tome. The final book is gorgeously produced, with each chapter using a different letterpress typeface smelted at the famous Nebiolo Foundry. Her linocut illustrations are fabulously evocative, and it’s French folded which helps it feel extra special.

We can’t wait to see to which graphic design scene Giulia turns her prodigious talents next.

An animation in which a pair of hands flips through the pages of a book resting on a printing press. The pages feature blue and white illustrations of industrial workshops and typography tools alongside Italian and English text.
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Giulia Garbin: Tipi di Torino

A black graphic illustration of a building with a tall spire and a star on top, set against a red background. Text at the bottom reads “PRINT ABOUT ME | micro press” and “Archivio Tipografico”.
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Giulia Garbin: Tipi di Torino

A blue and black illustration of a busy industrial workshop. Several people operate heavy machinery under high ceilings with large, arched windows.
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Giulia Garbin: Tipi di Torino

An illustration of a person in a striped shirt operating a large, complex printing press. They are in a dark room with a single glowing window and a framed portrait of a bearded figure on the wall.
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Giulia Garbin: Tipi di Torino

An illustration of a train emerging from a dark, peaked station shelter. A person in a suit stands to the right, looking towards the train against a pale blue background.
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Giulia Garbin: Tipi di Torino

A blue and white illustration of a workshop. A watering can sits atop a bookshelf filled with stacked papers, while a tool rack above holds wrenches and pliers.
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Giulia Garbin: Tipi di Torino

An illustration of a print studio in shades of blue and black. A large window overlooks the room, with printing presses and stacks of paper arranged below.
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Giulia Garbin: Tipi di Torino

An illustration of a design studio in blue and white. Three people work at desks beneath a long fluorescent light, while the walls are covered in typographic posters and sketches.
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Giulia Garbin: Tipi di Torino

An illustration of two blue hands reaching towards a small white slip of paper. The paper contains a block of Italian text titled “L’errore tipografico”.
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Giulia Garbin: Tipi di Torino

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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