Launch Recite Me assistive technology
A person wears a long, translucent purple Nike coat and black sneakers. They stand amidst swirling, iridescent purple 3D shapes that resemble liquid metal.
A person wears a long, translucent purple Nike coat and black sneakers. They stand amidst swirling, iridescent purple 3D shapes that resemble liquid metal.

“3D and eye candy CG imagery”: Golgotha chats through some of its recent projects

—
Date
23 July 2019

In 2013, Guillaume Hugon, Marvin De Deus Ganhitas and Antoine Aillot started a creative agency together. Six years later and the trio are still producing work under the name Golgotha. With a portfolio spanning creative direction, graphic design, animation, illustration and 3D, the studio’s work is difficult to define. But its client list proves the trio is doing something right, as brands like Nike and Fendi as well as magazines including Numero and In Corpore Sano keep making use of their skills.

It’s been over a year since we last wrote about Guillaume, Marvin and Antoine and, in that time, their practice has clearly progressed. While retaining their signature maximalist, Sunday cartoon feel, it seems there’s been a process of refinement, with their projects exhibiting new techniques all over the place give each work a slick, finessed finish.

“In terms of aesthetic, we still feel connected to our original core imagery and references we like, but we always try to develop new visual approaches and to challenge ourselves to find new designs and aesthetics,” the studio explains on this point. “For instance, this year we worked on illustrations for Revue Magazine, with a hand-drawing feeling, mixed with 3D and eye candy CG imagery. We like this kind of mix.”

A 3D render of a black Nike trainer with a light blue swoosh, floating against a glossy, iridescent purple backdrop. To the left, a close-up shows the fluid, metallic textures of the environment in shades of teal and violet.
Above

Golgotha: Nike

Overall, the trio explains, it’s been a great year: “Lot of cool new projects and international clients, which opened new possibilities and horizons. Also, we took time to develop a few art pieces and special Golgotha projects, such as a foundry, art videos, illustrations.” A particular highlight, however, was when they visited an esports competition in Poland called Counter Strike. Having worked with the “infamous team” Fnatic for a while, “it was really fun to IRL discover this universe which is getting really big,” they recall. With clear influences from the world of gaming across Golgotha’s portfolio, we’re excited to see how the inspiration found here manifests in the future.

Aside from visiting Counter Strike with one of the sport’s leading teams, Guillaume, Marvin and Antoine have been busy producing work for clients big and small across myriad outputs. A reoccurring client has been Nike with the studio citing a global campaign designed for the “Throwback Future Pack” as one of their favourites. “The challenge was to develop a retro-futuristic aesthetic and global art direction for the main campaign and its application. It was really fun to see our visuals displayed all over the globe in less than 24 hours,” they explain.

One project which encapsulates the shift in Golgotha’s practice the most, particularly in terms of aesthetics, is its creative direction of In Corpore Sano – a magazine about wellness created by Pascal Monfort and Sebastien Peretto. Where Golgotha’s projects have previously filled the frame with over-the-top graphics and typography, its work here instead shows restraint, bringing together well-set typography and 3D illustration to produce beautiful magazine spreads. “It was a totally different project from what we are used to doing, as it was print and layout design but also a curation job where we had the possibility to invite several friends and studios to contribute.”

A Nike Air Max 270 trainer floats against a swirling, iridescent background of purple, blue and pink. The shoe is dark with a metallic sheen and a white swoosh on the side.
Above

Golgotha: Nike

A person in a futuristic white bodysuit and chunky black sneakers poses against a purple background. They are surrounded by fluid, iridescent 3D shapes that look like liquid metal.
Above

Golgotha: Nike

A person in an orange tank top kneels on a sandy beach with their arms raised. In the background, other people walk along the shoreline under a pale sky. Stylised orange typography at the top reads “In Corpore Sano”, with the smaller text “The Modern Wellness” below. Swirling orange lines frame the scene.
Above

Golgotha: In Corpore Sano

A silver, metallic figure of a person is posed dynamically across a black and white illustration of a classical scene. To the right, large serif text reads “DIX THÈSES SUR LE CONCEPT DE WELLNESS À TRAVERS LES ÂGES”.
Above

Golgotha: In Corpore Sano

A double-page magazine spread featuring a large, metallic 3D render of a muscular figure in a dynamic pose. The figure is layered over a black and white classical illustration of people in a landscape. The right page contains three columns of French text under the heading “THE BODY”, numbered “08”, “09” and “10”.
Above

Golgotha: In Corpore Sano

A person poses against a blue background, their skin coated in a shimmering, iridescent blue finish. They wear a colourful, patterned sports bra and pink leggings. Text across the centre reads “Tech¹⁴ Pack⁹ Collection¹¹ ₅” alongside a Nike swoosh.
Above

Golgotha: Nike

A person in a dynamic pose wears a bright green and blue Nike sportswear set. A translucent, iridescent jacket flows around them against a deep blue background. Text in the lower left reads “Tech¹⁴Pack⁹Collection¹¹ 5”.
Above

Golgotha: Nike

A silver, quilted hooded jacket stands on a mannequin in a dark, high-tech environment. Several white robotic arms surround the garment, positioned as if they are assembling or inspecting it.
Above

Golgotha: Moncler

A bright red puffer jacket hangs on a stand in a dark, high-tech studio. A robotic arm and overhead lighting equipment surround the garment.
Above

Golgotha: Moncler

Share Article

Further Info

About the Author

Ruby Boddington

—

Ruby is Senior Creative at It's Nice That, overseeing our visual output across platforms and projects. Before that, she was associate editor on the editorial team, after joining in September 2017 following graduation from Central Saint Martins.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.