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An illustration from the book The Night Bookmobile by Audrey Niffenegger. A person in a striped top sits at a table reading a book, while a thought bubble above them shows a librarian reading. A large block of text describes the character’s dedication to reading for themselves and the librarian.

Great new show highlights the work of 100 women making comics

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Date
4 February 2016

Comix Creatrix: 100 Women Making Comics , which opens tomorrow at the House of Illustration, spans work from the 1800s to the present day. Curated by Paul Gravett and HOI curator Olivia Ahmad, the exhibition is designed according to theme – including key work from the counterculture, personal histories, sci/fi fantasy and newspaper strips. The show opens with a brief introduction to the production and history of comics from William Hogarth’s A Rake’s Progress, through sequential satires up to the recognition of comics artists as graphic novelists before introducing the women key to that history. There’s an incredible amount of aesthetically and thematically varied work, shown predominately as original drawings. The story-telling is everything from hilarious and surreal to affecting and political, and the joy of the show is in its ability to appeal to people of any age, or degree of familiarity with reading comics.

Particular highlights include the work of Aline Kominsky-Crumb, Alison Bechdel’s Fun House: A Family Tragicomic and Horizontal Press’ Tijuana Bibles which we covered on the site last year. The exhibition recognises key British artists such as Posy Simmonds, Simone Lia and Marie Duval as well as international practitioners Tove Jansson, Nina Bunjevas and Audrey Niffenegger amongst many others.

A black and white comic strip titled “Dogweena”. It follows a person with dog ears who sneaks away from “Princess Puppy Class” for a picnic in the woods. The panels show the character eating “Zap Hamwitches”, “Zap Jamwitches” and “Zap Spamwitches” before being interrupted by a dog. The strip ends with the character chasing the dog, shouting “Give me that back!”.
Above
Left

Donya Todd: Dogweena

Right

Nicola Lane: Beril in Peril

A black and white comic strip titled “Beril in Peril”. A person in a striped shirt is repeatedly confronted by another person who warns them about toxins in food and government surveillance. The strip ends with the pair huddled together in a room full of sacks of grains, calling for resistance against “the forces of oppression”.
Above

Nicola Lane: Beril in Peril

An illustration of five people surrounded by oversized art supplies in a vibrant orange, blue and purple palette. They hold a giant pencil and a paintbrush, with a large ink bottle and an open book in the foreground.
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Left

Laura Callaghan: Untitled

Right

Isabel Greenberg: Encyclopedia of Early Earth

A black and white comic strip with three panels. The top left shows a tall white building under construction with figures on scaffolding, while the top right shows three people looking up at a crescent moon. In the bottom panel, a large figure with a bird's head and a black cloak gestures towards two children in a room with columns and a checkered floor.
Above

Isabel Greenberg: Encyclopedia of Early Earth

A black and white drawing of a brick building facade featuring a metal fire escape. Handwritten text at the bottom reads “On the fourth floor of a Lower East Side walk-up, my life rose and fell.”
Above

Sarah Lightman: The Book of Sarah

An illustration of two people in a small boat, floating across a flooded, ornate hall. Two figures in long robes watch them from doorways beside a row of tall, arched windows.
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Left

Tillie Walden: The End of Summer

Right

Tillie Walden: The End of Summer

A black and white comic strip follows a child moving through a grand, ornate building. Speech bubbles read “Olle! Quit it!”, “Go away, Olle!” and “Your handwriting is sloppy, Lars.” The child finds a “secret spot” in a vast, high-ceilinged hall with towering columns and a seated figure. They curl up with a cat, as the final panel reads, “With Nemo, the dark isn’t as scary.”
Above

Tillie Walden: The End of Summer

An illustration of a person standing in the narrow aisle of a bookmobile, flanked by towering bookshelves. The title “The Night Bookmobile” and the author “Audrey Niffenegger” appear at the top. A small inset image shows a person reading a newspaper in the driver's seat. A block of text describes the interior of the bookmobile as smelling of “old dry paper” and “wet dog”.
Above

Audrey Niffenegger: The Night Bookmobile

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About the Author

Billie Muraben

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Billie studied illustration at Camberwell College of Art before completing an MA in Visual Communication at the Royal College of Art. She joined It’s Nice That as a Freelance Editorial Assistant back in January 2015 and continues to work with us on a freelance basis.

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