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Iris Van Herpen explores sound waves in her latest high-tech, high-concept, haute couture collection

Date
14 July 2016

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Dutch designer Iris Van Herpen presented her latest works in Paris earlier this month, in a high-concept installation exhibiting a continued flair for high-tech innovation in the creation of haute couture showpieces.

The latest collection concerns itself thematically with cymatics, the study of visualising sound waves, making use of such evolving, oscillating patterns as motifs and structural forms throughout the garments. Geometry and symmetry feature heavily, liberally recalling the forms of fossils, crystals, waves and water.

Presented as both fashion runway and installation at L’Oratoire du Louvre in Paris, Iris Van Herpen called upon Japanese musician Kazuya Nagoya to create a soundscape manifestation of the central couture concept, making use of the east Asian singing bowl instrument.

Five figures in avant-garde, neutral-toned clothing stand on small circular plinths. They are spaced across a checkered floor in a grand, stone hall with high arched ceilings and a central chandelier.
Above

Iris Van Herpen: Seijaku Installation
Kazuya Nagoya performing

“Seijaku is the Japanese word and concept for finding serenity amidst life’s chaos. The artist performs live during the show in the L’Oratoire du Louvre which was specifically chosen for its exceptional acoustics that fuse the meditative sound waves,” says Iris.

As ever, Iris makes adept use of 3D printing and laser cutting to bring many of the garments to life, as she explains, “a halter dress is laser cut and stretched over black wire to scroll around the body like waves of sound in a shell.” She also employs a plethora of new techniques, which she explain were, “developed exclusively for the collection include stitching pearl-coated rubber fabric onto black tulle to create fossil and floral layering.”

A person walks down a runway wearing a short, sleeveless dress made of translucent, bubble-like spheres. The dress flares out into a wide, sculptural skirt. They wear high platform heels and walk between rows of small gold bowls.
Above
Left

Iris Van Herpen: Seijaku

Right

Iris Van Herpen: Seijaku

A person wears a short, sleeveless dress made entirely of small, clear bubbles. The translucent material catches the light, creating a shimmering, textured effect.
Above

Iris Van Herpen: Seijaku

In one stand out composition, thousands of hand-blown glass bubbles coated in transparent silicone form a translucent exoskeleton disrupting the shape of an otherwise classic bell dress, which Iris says was intended to form “a bioluminescent prism around the body.”

Perhaps the most striking addition to Van Herpen’s oeuvre are the sheer, flowing Japanese organza woven garments. “Woven from threads five times thinner than human hair and made with the traditional Shibori technique, creating unique cymatic patterns,” Iris explains. These billow and gently undulate through the space, showing off a new silhouette from the designer famed for her highly-structured, rigid garments.

A person in a voluminous, white pleated garment stands with their back to the camera. Opposite them, a person crouches on the floor, playing a singing bowl. They are positioned within a series of concentric circles formed by small brass bowls on a checkered floor.
Above

Iris Van Herpen: Seijaku
Kazuya Nagoya performing

A person walks a runway wearing a sheer, floor-length gown with a pleated, cape-like silhouette. The garment features a pattern of fine, radiating grey and white lines.
Above
Left

Iris Van Herpen: Seijaku

Right

Iris Van Herpen: Seijaku

A person walks down a runway wearing a sculptural, grey-and-white striped dress with a deep neckline and ruffled edges. They are surrounded by concentric circles of small gold bowls on a light-coloured stone floor.
Above

Iris Van Herpen: Seijaku

A person with short black hair and a blunt fringe poses with their arms raised. They wear a sculptural, translucent garment with a black and white pleated pattern.
Above

Iris Van Herpen: Seijaku Installation

A close-up of a person wearing a metallic, pleated garment with sharp, architectural folds. Their hands are blurred in motion around the fabric, creating a sense of movement.
A person walks down a runway wearing a structured, sculptural dress with organic, ribbed textures in cream and beige. They wear matching knee-high boots with a chunky square heel.
Above
Left

Iris Van Herpen: Seijaku

Right

Iris Van Herpen: Seijaku

A person walks down a runway wearing a strapless, short dress with a metallic gold and black pleated pattern. They are flanked by rows of small gold bowls arranged on a tiled floor.
Above

Iris Van Herpen: Seijaku

A person stands in a grand hall wearing a structured, cream-coloured dress with a sculptural, ruffled skirt. In the background, other figures in white garments stand on a tiled floor marked with circular patterns.
Above

Iris Van Herpen: Seijaku Installation

A person walks down a runway wearing a structured white and black dress with a voluminous, sculptural skirt. The garment features a mesh-like texture and an organic, petal-like arrangement around the hips.
Above
Left

Iris Van Herpen: Seijaku

Right

Iris Van Herpen: Seijaku

A person walks down a runway wearing a short, voluminous dress with a grey and white cellular pattern. They wear black platform sandals and walk through a path lined with small gold bowls.
Above

Iris Van Herpen: Seijaku

A person models a structured, sculptural dress with a mesh bodice and a voluminous, ruffled skirt. They stand in a grand hall with a checkered floor and a large chandelier overhead.
Above

Iris Van Herpen: Seijaku Installation

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About the Author

Jamie Green

—

Jamie joined It’s Nice That back in May 2016 as an editorial assistant. And, after a seven-year sojourn away planning advertising campaigns for the likes of The LEGO Group and Converse, he came back to look after New Business & Partnerships here at It’s Nice That until September 2024.

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