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An illustration of a chaotic warehouse filled with towering green filing cabinets and scattered cardboard boxes. In the background, a large screen displays a mirrored “Google” logo above a search bar. People in white shirts scramble through the space, with some burning documents in metal barrels.

Dutch illustrator Jasper Rietman's cleverly succinct editorial illustrations

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Date
11 September 2015

The last time we featured illustrator Jasper Rietman’s work he was creating three-panelled comic strips without text. Still letting the visuals do the talking, it seems Jasper is on a roll with editorial illustrations as a string of his commissions are all laid out neatly on his website. With work created for The Washington Post, The New York Times Magazine, The Guardian and Variety, the Dutch illustrator’s style is clean, crisp and spattered with fun little details. They aren’t as bizarre as his comics, but they’re just as succinct as Jasper manages to convey the story perfectly without cluttering the space he’s been given. Tidy lines combined with lovely blocks of bright colour, Jasper’s illustrations are both communicative and clever.

An illustration of people working on two different walls in a sandy landscape. In the foreground, two people in hard hats build a modern blue and white brick wall. In the background, others use hammers and chisels to carve a classical red and green wall.
Above

Jasper Rietman: Are Iran and Israel Trading Places?, The International New York Times

An illustration of a massive cargo ship with a red hull, overflowing with thousands of paintbrushes. The ship has crashed into a rocky shoreline next to a small brick factory labelled “Paint Brushes Made in U.S.A.”.
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Jasper Rietman: What Paintbrush Makers Know About How to Beat China, The New York Times Magazine

An illustration of a steep, rocky mountain with a winding path and a cable car system leading to the peak. A sign in the foreground reads “SCHOLARSHIP ONLY!!!” with an arrow pointing towards the path.
Above
Left

Jasper Rietman: Freebies for the Rich, The New York Times Magazine

Right

Jasper Rietman: Is It Crazy to Think We Can Eradicate Poverty?, The New York Times Magazine

An illustration of two people in blue overalls using a yellow “Urban Movers” truck to move a landscape. One person rolls up a field of crops like a carpet, while the other loads a rolled-up section of land into the van.
Above

Jasper Rietman: Is It Crazy to Think We Can Eradicate Poverty?, The New York Times Magazine

An illustration of a red floating platform hovering over a yellow map of Europe. Five people in business attire stand on the platform, looking down and taking notes.
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Jasper Rietman: Leerschool Europa, De Volkskrant

An illustration of several superheroes crowded inside a cinema ticket booth under a sign that reads “BOX OFFICE”. Batman, Spider-Man, Iron Man and others press against the glass, looking out at a person holding a one-dollar bill.
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Left

Jasper Rietman: Hollywood’s Tanking Business Model, The New York Times Magazine

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Jasper Rietman: Are Sports our new Religion?, The Washington Post

An illustration of an American football player in a red and blue uniform, holding a ball. A glowing orange halo circles their helmet against a bright yellow background.
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Jasper Rietman: Are Sports our new Religion?, The Washington Post

An illustration of a referee in a yellow shirt holding up a red card. He stands on a green field beside a Ukrainian flag, blocking a line of Russian armoured vehicles.
Above

Jasper Rietman: Moeten we het WK 2018 in Rusland (nu al) boycotten?, De Volkskrant

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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