Launch Recite Me assistive technology
Two hands wearing rubber cleaning gloves, one yellow and one purple, shake against a plain blue background.

Clever old-school editorial designs by Javier Jaén

—
Date
9 January 2015

You don’t get as much editorial illustration and art direction like this as you used to. Back in the day, this sort of visual pun-based work was used to illustrate pretty much every article under the sun in order to quickly get a hard-hitting point across and lure readers in to the actual story. Nowadays people like The New York Times Magazine are some of the only guys who still use this method – and when they do they call on Javier Jaén. The Barcelona-born designer spends the majority of his time collaborating with art directors, photographers and illustrators to concoct clever, pleasing visual cues that sit comfortably among the pages of big-dog publications such as The New Yorker and The Washington Post. You don’t get many more “simple idea, well executed” examples than in Javier’s portfolio, not to mention the rather beautiful last line on his online bio – “He has still not written a child, planted a book, or given birth to a tree. Everything is waiting to be done.”

A person wearing a black turtleneck stands against a yellow background. In place of their head is a wooden painter’s palette covered in thick, colourful smears of paint.
Above

Javier Jaén: The Atlantic. The Death of the Artist (I). Art direction by Elisa Glass.

A hand is positioned against a blue background, with the index finger extended. A thin trail of white smoke rises from the fingertip as if it were a lit cigarette.
Above

Javier Jaén: The New York Times Magazine. Off Target on Toy-Gun Regulation. Art direction by Jason Sfetko.

A vertical stack of coins is lit from the side against a plain orange background. The coins cast a dark shadow that forms the silhouette of a person’s profile.
Above

Javier Jaén: The New York Times Magazine. The Worth of Black Men, from Slavery to Ferguson. Art direction by Ben Grandgenett.

The cover of a magazine features an illustration of a circus troupe forming a complex human pyramid. The figures balance on each other, with the bottom row sitting on high-wheeled bicycles. Large yellow text reads “HOW” in the background, while a banner reads “THE IN-HOUSE BALANCING ACT”. Other headlines include “89 SPECTACULAR, AWARD-WINNING IN-HOUSE DESIGNS” and “PEEK BEHIND THE CURTAIN AT NPR”.
Above

Javier Jaén: How Magazine. In-house designers. Art direction by Adam Ladd.

An illustration of four people sitting in a row of blue aeroplane seats. They all face right, looking ahead with neutral expressions.
Above

Javier Jaén: The New York Times: Opinator. The Great Divide. Class Struggle in the Sky. Art Direction by Aviva Michaelov.

A yellow poster for the “BccN Creative Commons Film Festival” from 2014. In the centre, a pair of white-gloved hands cup a smaller, blue-gloved hand that holds a cluster of dark stones.
Above

Javier Jaén: Barcelona Creative Commons Film Festival

An illustration of eight different birds, each partially covered in thick, dripping black oil. The figures are arranged like a scientific study against a plain cream background.
Above

Javier Jaén: The New York Times Magazine. Are We Missing the Big Picture on Climate Change? Art Direction by Frank Augugliaro

Two hands wearing rubber cleaning gloves, one yellow and one purple, shake against a plain blue background.
Above

Javier Jaén: The New York Times Magazine.Treating Ebola Without Fear. Art direction by Jason Sfetko.

Share Article

Further Info

About the Author

Liv Siddall

—

Liv joined It’s Nice That as an intern in 2011 and worked across online, print and events, and was latterly Features Editor before leaving in May 2015.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.