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The cover of a Lauryn Hill single featuring a portrait of the artist wearing glasses and large hoop earrings. She is set against a bright blue sky with white clouds, with the name “Lauryn Hill” written in bold red and black text above.
The cover of a Lauryn Hill single featuring a portrait of the artist wearing glasses and large hoop earrings. She is set against a bright blue sky with white clouds, with the name “Lauryn Hill” written in bold red and black text above.

Designer Jay Vaz combines his love of music and analogue art in a colourful and textural portfolio

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Date
24 April 2018

For 20-year-old Londoner Jay Vaz, music and design have always been inexplicably linked. His early years, exposed to “amazing jazz and soul music” has influenced and informed his career which sees him producing music and DJing as well as creating visual matter for gigs, nights and festivals. Jay’s portfolio is packed full of exciting and vibrant work, made all the more impressive when you consider how young he is.

The vast amount of work that Jay (who is now based in Leeds) has so far managed to produce comes as no surprise upon finding out how young he began. It was music that first captured his imagination; Jay explains how from an early age he was “obsessed with my dad’s vinyl and cassette collection that consisted of beautiful covers from legends such as Change, Luther Vandross, Aretha Franklin, Patrice Rushen and George Benson.” However, when at age 12 he started his own collection, he would “pick up records to listen to purely based on how engaging the cover was.”

A year later, Jay took his first steps towards the work he now creates alongside one of his biggest influences: his older brother. “His amazing passion and love for creating art changed the way I viewed everything,” Jay recalls. At the age of 13, Jay became heavily involved in one of his brother’s projects which consisted of “collaging and illustrating over disposable photos from his tours around the world with the jazz band he was part of.” With their projects sponsored by the likes of Lomography and Urban Outfitters, this early introduction to the creative world solidified Jay’s interests due to “how much I loved producing art and working with like-minded people who, like me, are excited about innovative ideas and creating exciting work.”

When Jay started college, however, was when graphic design became his main focus. Studying art and design, music production and music performance, Jay met Harvey Wise who was in the same classes as him. The instantly clicked and began making music together as Art Bloc. “Before meeting Harvey, I had very little knowledge of graphic design,” he explains. However, after meeting Harvey’s family of designers (including Jacob Wise) Jay began to focus his creativity towards the medium.

Jay now operates as part of The Mannequin Collective, a “creative family” of five individuals including Joe Ellis, Ollie Inglis, Hugo Inglis and Oliver Meeke in 2017. “The Mannequin Collective studio specialises in film, visuals, design and bespoke sound production,” Jay tells It’s Nice That. So far the collective has produced work for – among many others – Outlook Festival, Dimensions Festival, Smirnoff, Rhythm Section and a whole host of independent record labels and artists with the music industry.

The work Jay produces here is clearly influenced by those early experiences of collaging alongside his family. “I love working with analogue techniques such as collage because it brings back nostalgic moments from my childhood,” he remarks, concluding: “I feel like I am still developing my style, but recently I have enjoyed working with animated graphics and experimenting with colour and texture.”

Aaliyah wears a white bandana and sunglasses, looking at the camera with a focused expression. The image is styled as a record sleeve with a bold orange border and the name “Aaliyah” in large letters. At the bottom, the title “Rock the Boat” is written in quotes.
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Jay Vaz

A graphic collage with bold typography and a grid layout. Text reads “Twisted by Khaves” and “Make a trap 4 fools”. The design features a purple gradient, a circular logo, and a 3D wireframe render of a person’s head.
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Jay Vaz

A graphic with a bright green background featuring a high-contrast black and white image of a landscape. Bold, stylised text reads “BROKEN” at the top and “TEARS” at the bottom.
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Jay Vaz

A graphic poster with a black background and a white central panel. The top reads “PARIS 1913” and the bottom reads “EZRA POUND”, framing a colourful, textured shape with a halftone dot pattern.
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Jay Vaz

A graphic design for a book or zine with a black central panel and a rainbow gradient border. The text reads “300AD” at the top and “hydration” written vertically along the right side. A poetic passage in the centre describes a connection with a “droplet” and a “new chapter”. Below the text is a minimalist grey illustration of a figure curled in a foetal position.
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Jay Vaz

A graphic featuring a globe of the earth in purple and yellow tones. The word “EARTH” is repeated four times in a stylised white typeface against a dark, textured background.
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Jay Vaz

An illustration of a bright blue circular shape against a black background. Yellow text reads “Moses Boyd” and “Sirens”, surrounded by white and black abstract streaks.
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Jay Vaz

A collage on a bright red background features a central, organic shape filled with fragmented images. These include a red car, red flowers, and a person on a skateboard. A grey vertical strip on the left reads “DAN KYE” in bold, black capitals.
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Jay Vaz

An album cover for Nubya Garcia featuring a bold orange and grey colour palette. The artist’s name appears at the top and the title “When We Are” is written at the bottom.
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Jay Vaz

A graphic design piece featuring a teal and white abstract landscape with a soft pink glow in the centre. Bold text at the top reads “Neue Grafik” above the phrase “To Peckham Rye”.
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Jay Vaz

An album cover with a bright orange background. A small circular inset at the bottom left shows a profile of a person in blue and green tones, while a green rectangle and the text “Cleo Sol – “Why Don’t You”” sit in the top right.
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Jay Vaz

A red and black graphic poster featuring a stylised car and the word “DRIVE” at the bottom. The design includes three Mercedes logos in a vertical row and a line of Arabic calligraphy.
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Jay Vaz

A poster for a Rhythm Section event featuring a spotted leopard standing within a purple circular frame. Red text around the circle reads “Established 2009” and “Peckham Strong”. Below the image, the line-up lists “Yu Su”, “Hidden Spheres” and “Bradley Zero”. The event is dated “Friday 4th May 2018” at “Five Miles”.
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Jay Vaz

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About the Author

Ruby Boddington

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Ruby is Senior Creative at It's Nice That, overseeing our visual output across platforms and projects. Before that, she was associate editor on the editorial team, after joining in September 2017 following graduation from Central Saint Martins.

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