As we encounter increasing amounts of 3D animation here at the It’s Nice That office, it’s easy to forget where this relatively new form of art originated. The LA-based artist Jennifer Steinkamp is a pioneer in the field of 3D animation, working exclusively in digital media to beautifully render “organic and abstract forms in motion”. On the subject of her work, she tells It’s Nice That, “I am fascinated by software’s ability to create ideas we would never conceive of in the natural world.”
Currently exhibiting at New York’s Lehmann Maupin, Jennifer’s solo show Impeach is showing until mid-April, showcasing four of the artist’s recent video installations that immerse the audience in a digital landscape. On first glance, Jennifer’s large-scale video installations seem like live action sequences. The lifelike motion of Blind Eye 3, a panoramic projection of a densely packed birch tree forest, moves as if the wind has just rushed through the green foliage.
The centrepiece of the exhibition, its titular piece, sees a torrent of tumbling fruit diving into an invisible wall. Highly realistic and bursting with vivid colour, the public art piece “hints at the possibility of a new spring for America, should the titular political and legal process be set in motion, as well as the destruction left in its wake.” The highly skilled animations evidence Jennifer’s experience in the medium. “I became interested in 3D back in 1982 when I took a class called ‘Video Art’ at Caltech in Pasadena,” she says.
Taught by Gene Youngblood, who is well known for his book Expanded Cinema, Jennifer was introduced to early computer animation and structuralist films in Gene’s class. “I basically became very interested in both,” she adds, “these two ideas presented by Gene, changed the way I considered what art can do. In addition, The Museum of Contemporary Art was just opening in LA, they had an amazing exhibition of phenomenological installation art.”
Since then, Jennifer has continuously worked with animation and motion conceptually. She transforms space and in turn, challenges the viewer’s idea of what is possible within animation. Over time, and with technological advances, Jennifer comments: “My imagery has changed along with the computer’s abilities. Additionally, the technology to display video has radically changed. Every year, I have more pixels and a higher resolution, and this gives me much more detail to consider.”
With future hopes that the medium of 3D animation will become “easier to do, faster to render, and always more inventive”, Jennifer will no doubt continue to create experiential video installations that push digital art to its technical and conceptual heights. Encapsulated in her present show Impeach, Jennifer creates a space where the viewer is affected by the animations surrounding them. She finally adds, “The thing I would like viewers to find in my work is the sensation or feeling you get when you are affected by imagery, motion and space. There is something that happens when you think about what it can mean to be alive; it is something that dancers know.”
About the Author
Jyni became a staff writer in March 2019 having previously joined the team as an editorial assistant in August 2018. She graduated from The Glasgow School of Art with a degree in Communication Design in 2017 and her previous roles include Glasgow Women’s Library designer in residence and The Glasgow School of Art’s Graduate Illustrator.