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A black and white line illustration divided into a grid of panels. The central panel shows a figure holding a large megaphone to their mouth, with the word “meticast” written across the top.
A black and white line illustration divided into a grid of panels. The central panel shows a figure holding a large megaphone to their mouth, with the word “meticast” written across the top.

Experimental line drawings in artist José Quintanar’s book

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Date
20 July 2016

Madrid-based artist and illustrator José Quintanar AKA José Ja Ja Ja has a stripped-back, simple drawing style that focuses on the impression and outlines of objects and figures rather than the intricate details. In his new book, Fartlek his sparse drawings are unleashed over 400 pages and the artist captures various everyday items and belongings like cars, bikes, basketballs and the landscapes of La Mancha, as well as blob-like characters.

The title of the book refers to a training method for distance runners of the same name, in which pace and terrain is continually varied during training. Just as a fartlek runner adapts their rate and beats to the varying context of the ground, José lets his unconscious take over and we’re taken on a fun, haphazard jaunt through his mind. Published by Ruja Books and Fulgencio Pimentel, there’s a mix of panelled illustrations, small vignettes and random collections of objects collated together. José’s deliberate, black linework clutters the pages, and he challenges his style by experimenting with different drawing methods page after page.

As well as this monograph of drawings, José has also created illustrations for The New York Times and Esquire as well as national publications in Spain.

A line drawing of a person seen from behind, bending over to lift a barbell. In the top left, a small circular illustration shows a person waving.
A black and white line illustration of a street scene. A building in the centre features a large, arched entrance and a sign that reads “Dolly’s Fanny”.
A simple line drawing of two long vehicles, one above the other. Both are depicted from a side profile with basic wheels and abstract shapes suggesting cabins and cargo areas.
Above

José Quintanar: Fartlek

A black and white line drawing divided into five panels, labelled with lowercase letters. The panels show a figure in various poses, including looking through a telescope and walking with a staff.
Above
Left

José Quintanar: Fartlek

A black and white line illustration divided into three horizontal panels. The top shows a road with a circular inset of a person wearing a cap, while the middle panel depicts a crowded group of figures. The bottom panel shows a figure lying on their back on a floor, surrounded by scattered objects.
A black and white line illustration featuring a grid of 24 panels. The sequence depicts a person playing basketball, from preparing the ball to shooting and reacting to the result.
Above
Left

José Quintanar: Fartlek

A black and white line illustration of several stylised, muscular figures in various athletic poses. Some figures have numbers on their backs, including “18”, “30”, “61” and “27”.
A line drawing of four stylised figures dancing in various poses. A boombox with a long antenna sits in the bottom right corner.
Above
Left

José Quintanar: Fartlek

A line drawing of a cat-like figure with arms outstretched, wearing a dress with a cat face on the front. They are surrounded by several smaller, simplified figures that appear to be floating or falling away.
A black and white comic book and a matching postcard lay on a pink and yellow background. The comic cover features a three-panel illustration of figures in a crowded space and the word “fartlek” at the bottom.
Above

José Quintanar: Fartlek

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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