Launch Recite Me assistive technology
A red and black illustration of two people embracing and kissing. They are framed by a glowing red halo and surrounded by oversized, stylised houseplants.

Kajet is the new journal exploring all things Eastern European

—
Date
8 January 2018

Independent publishing often champions marginalised voices, but few publications successfully combine intellectualism, art and culture like Kajet journal. From their base in Romania, Petrica Mogos and Laura Naum are challenging the simplistic and often negative representations of Eastern Europe. To combat these reductive depictions, Petrica and Laura created Kajet in order to “show that there is more to the region than what is currently shown on (Western) mainstream media. Eastern Europe isn’t just defined by its topography, but also through its lineage of artists from Kandinsky to Kieślowski,” they tell It’s Nice That. The two editors argue that “Eastern Europeans have been on a perpetual journey of self-discovery, acceptance, and approval regarding our roots and origins.” 

The first issue, divided into five chapters, explores aspects of community and tackles thought-provoking questions such as what makes the people from this geographical region truly Eastern European and how Eastern European communities bring themselves together in unsettling times. The bi-annual journal also comes with its own manifesto. The Kajet mission is to “move beyond a purely anecdotal understanding of Eastern Europe, as we aim to reverse mentalities, challenge stereotypes, and shift perspectives.” The issue contains essays, contemporary fiction, illustrations and photographs, which are beautifully laid out by Alice Stoicescu in this considered, creative piece of work. Alice explains that “the slanting columns hint at the Iron Curtain and at the economic, political, and cultural influence it continues to have. The images are meant to be oppressive, cramming the text sideways or casting it to another page.” The design constructs a visual language that demands attention, re-visits and re-articulates ideas and images of Eastern European identity.


Kajet’s vision is also manifested through its actions that seek to challenge current distribution patterns of the printed press. “It is as if the traffic between Eastern Europeans and our more privileged Western counterparts works exclusively in one direction: as though works of art, ideas, and manifestations of culture can move only eastward, with anything originating in the East ignored or rejected,” Petricā and Laura explain. The editors respond to this imbalance by producing a journal in English, appealing both to Eastern Europeans readers who can explore their own culture and to Western readers who are offered an alternative perspective on Eastern European topics. 

The team are currently working on their second issue, which will focus on ‘utopia’ and Eastern Europe and how the Eastern European countries envision a reformed future. It is stocked in Romania, Lithuania, Czech Republic, Germany, the Netherlands and the UK. 

The cover of a blue magazine titled “Kajet”. An illustration shows three people wearing patterned coats and headscarves, rendered in blue and pink.
Above

Kajet

A collage of torn photographs showing a brutalist concrete apartment block under a blue sky. The images are layered and ripped, with fragments of green trees and a lower building visible beneath.
Above

Kajet

An illustration of four stickers scattered on a blue background. They show a profile of a person, a suit jacket, a pair of trousers and a bottle of perfume labelled “AEHIN”.
Above

Kajet

An open magazine spread features a photograph of a person wearing a patterned dress and a headscarf. To the right, the words “Family Formations” are printed in a serif typeface.
Above

Kajet

An open book shows a page of text opposite a photograph of a peeling wall. The text is titled “Soviet Innerness” and describes a project documenting abandoned buildings in Irbene, Latvia. The accompanying photo shows layers of bright blue paint curling away from a white tiled surface.
Above

Kajet

White bold text on a black background reads “NOUS SOMMES DES BARBARES!”.
Above

Kajet

A black and white illustration of two people leaning against a car in front of a brick wall. One person drinks from a bottle while the other wears a leather jacket, both positioned beneath a logo featuring a hammer and sickle and the letters “PCR”.
Above

Kajet

An open book displays two photographs side by side. The left image shows a pink car with “CHART” written on the side, while the right is a portrait of a person wearing a bright blue wig and smoking a cigarette.
Above

Kajet

An open book showing two pages of text and a black and white photograph. The image shows a person sitting on a wooden bench inside a sparse, high-ceilinged room.
Above

Kajet

A blue and black illustration featuring a collage of symbols. The word “BEING” is written vertically in blue, alongside a hand holding a staff, a spiderweb, and a window with a single eye looking out. The word “EASTERNNESS” curves around the bottom, separated by an ampersand.
Above

Kajet

An illustration across two open book pages shows two pink hands reaching towards each other. Both hands are covered in dark, symbolic markings and glyphs. Below the right hand, the title “Speaking Scars” is printed in a clean serif typeface.
Above

Kajet

An open book shows a dense, aerial photograph of a city spanning across two pages. A white square on the right page contains the title “Europe Endless”.
Above

Kajet

Share Article

About the Author

Daphne Milner

—

Daphne has worked for us for a few years now as a freelance writer. She covers everything from photography and graphic design to the ways in which artists are using AI.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.