It’s been a busy year so far for the artist Kentaro Okawara. Born and raised in Tokyo, Kentaro has already released two publications this year. The first is a Risograph-printed zine titled I’m fuckin great and the second is a beautiful compendium of the paintings, ceramics and drawings exhibited in his latest solo show Just Your Smile.
Designed by Tokyo-based design studio .otd and published by Tang-Deng, the edition of 500 pays tribute to the breath of Kentaro’s creative output. Exhibiting during the month of March earlier this year, the show featured around 100 works from the experimental artist including a series of paintings around “the invisible balance” between people and objects. “I’m always thinking about making art and books,” Kentaro tells It’s Nice That. “All the things I create make me feel better and I hope it makes other people feel better too.”
Not only does the book invite readers to view Kentaro’s recent pieces, but it also delves into his older folio of playful work. Back in 2011, the artist created a series of sculptures and paintings inspired by a number of postcards he exchanged with his grandma from the ages of five to eight years old. In more recent work, Kentaro maintains this charming and naive style of drawing, first obtained at childhood. In a number of recent Photoshop drawings, he experiments with a contrasting medium which sees a pointed difference to his earlier, washier watercolour illustrations.
The focus for much of his work is exploring “the various forms of love I feel,” Kentaro explains. His enduringly optimistic tendencies are further inspected in his zine I’m fuckin great. Published by Can Can Press in Mexico City, the zine sees a sequence of Kentaro’s Photoshop drawings undergo the energetic Riso treatment. On the subject of the zine, Kentaro goes on to say that, quite simply, “the book means that everything is fuckin great.” Printed using a three-way colour scheme of pink, yellow and black, Kentaro’s signature style of flat, blocked-out forms only furthers this concept.
With another book on the horizon to be published later this year, this time, a picture book titled Tsuru no Ongaeshi meaning the crane returns a favour, Kentaro’s year doesn’t seem to be slowing down at all. Continuing to produce a high volume of work which skims his flowing streams of consciousness, we’re hoping that the internationally-exhibiting artist will bring his work to the UK sometime soon.
- Uma Bista’s photographs address gender inequality in Nepalese communities
- Meet Tess Smith-Roberts, the illustration student who adds a "stupid little smiley" to every character
- Charlotte Rohde asks “what do typefaces have to say beyond the words they spell?”
- Postage stamps as an R&B identity and more: Haeri Chung on her graphic design practice
- How Pelle Cass creates his jarring “still time-lapse” images
- Caricom examines football and fan culture through the lens of the black experience
- “The future of design is in the creation of tools”: Meet the Space Type Generator
- Yushi Li on photographing men she met through Tinder
- When Hollie Fernando forgot her age, she decided to take her first self-portraits
- Lacoste once again swaps its iconic crocodile logo for ten endangered species
- Master one style or stay versatile? Illustrators discuss the pros and cons
- Kentaro Okawara on how he is “always thinking about making art and books”