Lara’s practice stretches all the way across printmaking, woodcuts, video, stop-motion animation and writing, and with such a broad spectrum under her belt she has plenty to inform what has become a very refined aesthetic. With a range of colours that practically oozes her native California – tanned limbs, blue skies and sunshine yellow houses? Yes please! – and a first-rate grasp of composition, her work is suuuuuper nice.
We’re especially excited about her papercuts; empty spaces and carefully rendered tiny detail work together harmoniously to create quietly funny images, with whole visual narratives transcending their medium to tell stories. Lara’s not afriad of their fragility, either; watch police cars crumple and airplanes fall to pieces as she plays with the temporary nature of the pieces she creates. Lovely stuff!
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- Hubert Crabières captures a brilliantly absurd celebrating family for Edicola
- Illustrator Holly St Clair uses the rhythm of a joke in her portfolio of sculptures, textiles and prints
- Jules Durant aims to “design cool new fonts” beyond the Latin alphabet
- For Alice Franchetti, graphic design is the sweet spot where maths and intuition meet
- Lucy Sherston finds that leaving out parts of a composition is just as important as the bits kept in
- How Pelle Cass creates his jarring “still time-lapse” images
- Mozilla gives Firefox a new look that goes beyond the logo
- Spotify wants you to listen to more podcasts, so it's redesigned its app
- Say a sustainable hello to the world’s first fully compostable trainer
- Illustrator Faye Moorhouse has made a trilogy of zines about her cat
- Applications are now open for The Graduates 2019!