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An illustration of a small house engulfed in orange and yellow flames. A tiny red fire engine sprays a thin stream of blue water at the building while a black cat watches from a nearby green hill.

Stunning new book opens up the sketchbooks of a host of top animators

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Date
24 April 2013

We shouldn’t need to convince you how enamoured we are by the creative process – in fact if you didn’t know that about us then I think we should see other people. But even by our own insatiable standards, a new lovely book by Laura Heit has ticked all sorts of boxes. Animation Sketchbooks does exactly what it says on the tin (cover), opening up the notebooks and skecthpads of more than 50 top animators working across a host of styles. Featuring the likes of David Shrigley, Isabel Herguera, Jeff Scher and Koji Yamamura, it’s a beautiful and insightful peek into the way these leading lights work on paper. From really minimalist markings to full colour treatments via lists and storyboards, it’s a good reminder of how everyone has their own way of doing things.

As Laura writes in the introduction: "A sketchbook affords the mark-maker a safe place to play, to experiment, and to be unusually free. It is here that drawing can become wholly uninhibited, unencumbered by critique or criticism.

“There are no mistakes here, just first gestures, unselfconscious sketches, odd bits glued on, lists, notes, scribbles, jottings and doodles. An exclusive unveiling of the beauty, sincerity, and mania of the animator’s intimate process.”

Hubba hubba!

Animation Sketchbooks published by Thames & Hudson is out on May 6.

The cover of a book titled “Animation Sketchbooks” by Laura Heit. The background is a dense, red-toned collage of intricate black ink doodles and figures, with the publisher “Thames & Hudson” at the bottom.
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Laura Heit: Animation Sketchbooks

A mixed-media collage of a stylised elephant, created from newspaper clippings and red paint. The elephant pulls a small cart with text in Gujarati, set against a textured gold background.
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Isabel Herguera: Laura Heit: Animation Sketchbooks

A mixed-media sketchbook spread. On the left, a stylised illustration shows two figures in a yellow car, with small car icons floating above them. On the right, a blue figure wearing glasses and a red cape is painted over a page of newspaper text.
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Isabel Herguera: Laura Heit: Animation Sketchbooks

A mixed-media sketchbook spread featuring colourful drawings and handwritten text. A character in a purple suit leans against a yellow 3D render of the “20th Century Fox” logo, while a blue creature stands to the right. Bold text across the page includes “WSHH”, “Worldstar”, “Predator” and “Schwarzenegger”.
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J.J Villard: Laura Heit: Animation Sketchbooks

A high-contrast black and white diptych showing two profile views of a person with a short bob haircut. Their eyes are closed and mouths are slightly open, as if singing or breathing.
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Chel White: Laura Heit: Animation Sketchbooks

An illustration of a heart-shaped apple filled with intricate, eye-like patterns in black and white. A burst of colourful, organic shapes and swirls grows from the stem, filling the top of the frame.
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Mirai Mizu: Laura Heit: Animation Sketchbooks

An illustration of a plump pug with wide, anxious eyes. The dog is drawn in black and white, sitting on a plain white background.
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Adam Elliott: Laura Heit: Animation Sketchbooks

An open sketchbook filled with a dense collage of ink drawings, sketches and small pasted images. The pages feature whimsical characters, handwritten numbers and the words “pool dog & worm” written in a flowing, looped script.
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Luis Cook: Laura Heit: Animation Sketchbooks

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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