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An illustration of a feast featuring various foods with simple, cartoonish faces. A bowl of chicken legs sits beside a pile of rice, sliced bananas, and long sausages on a blue plate.
An illustration of a feast featuring various foods with simple, cartoonish faces. A bowl of chicken legs sits beside a pile of rice, sliced bananas, and long sausages on a blue plate.

Illustrator Lauren Martin hopes her work “makes people laugh or smile”

Dinner parties, comical characters and tasty spreads take centre stage in the New York-based illustrator’s colourful scenes.

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Date
15 June 2020

For some, there’s a specific moment that made everything happen. For Lauren Martin, an illustrator based in New York, it was when she was in pre-school and her older cousin had moved in with her family. Her cousin was attending the School of Visual Arts in the city and Lauren would watch her draw, which in turn sparked an interest in her to do the same. “She saw that I was really creative and passionate about drawing and told my parents that they should enrol me in art classes,” she tells It’s Nice That. Soon enough she was at the Art Students League and has been drawing ever since.

Lauren decided to pursue the arts and studied portrait painting at the National Academy of Design. Howbeit, her future path in this specific medium wasn’t long-lasting. Not sure if portrait painting was the right part of the industry for her, she took a year out of education to figure out her next steps. Some time away and a new-found hobby in knitting and sewing meant that she later enrolled at the Fashion Institute of Technology. “I really loved it and my work became more illustrative and more influenced by design, rather than painting,” she says. During her studies, she was able to work alongside designers such as Ellen Van Dusen and Samantha Pleet, only for her to realise this ever-growing interest in design. During this time, she also started playing in an indie rock band called Frankie Cosmos, and started to design and screenprint their merchandise. “So this also caused my art to shift towards becoming less painterly and more graphic.”

Having grown up close to The Metropolitan Museum of Art, Lauren found herself frequenting the gallery during her school years. She recalls a small room in the back, where the gallery holds its Princesse de Broglie painting by Ingres: “I would go and look at it every time I visited the museum,” she says. “I’m definitely very interested in neoclassical art .” Elsewhere, she found cartoons to be of great importance to her artistic development, recalling a VHS copy of Totoro she was given by her mum’s friend when she was young. “I can definitely see the influence of Miyazaki on what my work looks like now,” she adds, citing Dublin-based illustrators Ruan Van Vliet and Fuchsia MacAree as those that broadened her perspective as to what can be achieved through illustration – particularly when it comes to building a career.

An illustration of a dinner table where the food and objects have small, expressive faces. A bowl of spaghetti, a glass of red wine, and a bottle labelled “Nice Wine” look on as a blue candle melts. In the foreground, a pile of oranges and a plate of oysters also feature tiny eyes.
Above

Lauren Martin: Dinner party

Despite coming from a painterly background, Lauren’s work is now solely centred around a digital process. Somewhat contradictory to her previous education, it’s not unheard of for an artist to rebel against their former training. “Ten years ago,” she adds, “if you told me I’d be drawing on an iPad, I would have cracked up laughing and gone back to mixing my paints!”

Alongside her picturesque dining scenes, colourful spreads and comical characters, recent times have seen the artist create a short animation – a piece depicting a butter knife poking an “over-easy egg”, which thus causes the yolk to burst. “Before I made the animation, I kept seeing this image over and over. It perfectly expressed how I’ve been feeling in quarantine,” explains Lauren, who regularly uses food as her protagonists. “It’s like my bubble has burst, everything about my life is different but I’m still fine – I guess it has a bit to do with mindfulness and staying aware of the exact moment you’re in.”

As for forthcoming plans, Lauren tells us how she’s been working with one of her favourite restaurants in Brooklyn while they shift from dine-in services to take-home products – helping them to create the merchandise and packaging design. In other news, her boyfriend is a recipe and food writer, meaning they’ve been putting their skills on the table to collaborate on a series of cookbook zines for the past few months. Hoping to print or digitally release the first issue this summer, rest assured it will be a tasty and joyous concoction. “I always hope that my work makes people laugh or smile,” concludes Lauren on the main goal with her work. “I like to feel as if I’m a positive force in the universe.”

GalleryLauren Martin

An animation of a fried egg with a face on a green and blue background. A grey object presses down on the egg, causing the yolk to stretch and morph as the words “This is fine” appear.
Above

Egg

An illustration of a breakfast spread where the food and objects have simple faces. A stack of pancakes topped with a pat of butter sits beside a mug that reads “Tiny Diner”.
Above

Diner

An illustration of a breakfast table where the food and objects have simple, smiling faces. A stack of pancakes, a bowl of yoghurt and a yellow mug of tea all look on with small eyes.
Above

Still life

An illustration of a picnic spread where the food and drinks have small, wide eyes. A burger, hot dogs, and potato chips look out from paper plates on a blue wooden table.
Above

Grill

A digital collage shows a toasted sandwich resting on a rolling green hill under a blue sky. A small red flag on a wooden pole is stuck into the top of the bun like a golf pin. Text above the image reads “The 19th hole awaits. Find your dream clubhouse in Spain.”
Above

Spain

An illustration of five strawberries with faces, huddled together inside a blue oval. Bold text reads “If you’re able, please stick to your bubble” and “Not forever! Just for now!”.
Above

Strawberry

An illustration of a group of anthropomorphic fruits on a green circular background. A strawberry leans against a banana, while a cluster of grapes looks on, accompanied by a red speech bubble that reads “Let’s Stick Together”.
Above

Stick together

An animation in which a purple candle with a face melts into a puddle on a green field. The words “I’m OK” appear above the melted figure against a yellow sky and purple speckled background.
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Candle

A digital collage shows a piece of smørrebrød topped with shrimp and dill, floating like an island in a blue sea. Tiny people are scattered across the food and a nearby lemon wedge, with a small sailboat nearby. A red sun sets on the horizon under a pink sky, above the text “Visit Denmark.” and “Smørrebrød Island”.
Above

Smorrebrod

An illustration of a cartoon Earth with eyes and a small smile, perched atop a fluted classical column. The scene is set against a yellow square and a dark, starry background. Bold text reads “Put the Planet On a Pedestal”, with a small sign on the column that says “DO NOT TOUCH”.
Above

Planet

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About the Author

Ayla Angelos

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Ayla is a London-based freelance writer, editor and consultant specialising in art, photography, design and culture. After joining It’s Nice That in 2017 as editorial assistant, she was interim online editor in 2022/2023 and continues to work with us on a freelance basis. She has written for i-D, Dazed, AnOther, WePresent, Port, Elephant and more, and she is also the managing editor of design magazine Anima. 

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