In the same way Liliana Ovalle incorporates into her designs the incidences of improvised functionality in everyday situations into her designs, her use of colour is just as unexpected and illuminating in its suggestion of how a piece of furniture might be interpreted. A continuation of her Colour Me series, these pieces feature consistent geometric designs that conform to our table and stool-shaped conventions blocked out in vibrant colour on well-crafted, edgy wooden forms.
Now showing at Plusdesign Gallery in Milan, THE CHROMA SEASON is a development of a quite specific design vernacular that produces “perceptual effects” through the application of colour in different opacities and different positions, simulating three dimensionality and “unexpected depth.”
THE CHROMA SEASON will be on show until June 30.
- Intimate, safe and romantic: Ekaterina Popova paints the interiors of her friend’s bedrooms
- Alfie Dwyer on creating game-like worlds and moulding tangible films like “putty”
- Through playful forms, Bára Růžičková tackles the rigid structure of the design industry
- Meji Alabi on discovering his roots through film and music
- Stoic black cats and burning worlds: Quentin Dufour on his chaotic illustrations
- Jiří Makovec’s photographs meander between the personal and the universal
- Facebook rebrands to distinguish the company from the app
- Jack Kenyon photographs the wondrous spectacle of the Supreme Cat Show
- &Walsh designs Zooba's identity inspired by the busy streets of Cairo
- A book chronicling tiny, bizarre treasures curated by Wes Anderson and Juman Malouf
- Find hidden squares and experimental inktraps in Fatih Hardal's FH Giselle
- Pentagram’s Giorgia Lupi on her data-driven designs for & Other Stories