There’s lots of different sorts of confidence – the brash, swaggering sort, the quiet, earnest kind, the false variety employed by blaggards and the scary, steely, stare-y sort used by professional athletes and homicidal maniacs. There’s another one though, which is the confidence you see and feel when you come across someone doing something they’re really, really good at, which is definitely the case with Marcus Butt.
The London-based illustrator has a mighty impressive client list (including Creative Review, The New Statesman and Wired) but you don’t need to know he’s worked for some of the biggest names in the business to validate his talent. It’s there, right in front of you when you look at his work – in the way he uses colour, the way he understands shapes and textures and the way he is able to turn his hand to diverse briefs. No ifs, no but(ts) this guy is seriously good.
- A real bobby-dazzler, it’s Best of the Web!
- Max Guther is back with more hyper real illustrations visualising social trends
- The Igor has landed: Igor Bastidas on our animated cover for Printed Pages AW17
- Balmer Hählen takes a traditional Swiss design approach to its projects
- Friday Mixtape: a very rare mixtape from the one and only John Carpenter
- Josh McKenna talks through his work on Pride for Google and Instagram
- Peter Funch has photographed the same people on the same street for nine years
- DBLG and Animade’s cheeky stop-motion animation uses human skin and 3D stamps
- “It needed to be functional, a workhorse”: Arket’s in-house team on its brand identity
- Get to know the fluid work of graphic designer, Steffen Hotel
- Fukt magazine presents the erotic drawings of David Shrigley, Tracy Emin and many more
- Poster Girls, an exhibition of 150 female graphic designers opens at London Transport Museum