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Two red and black posters featuring a brutalist concrete structure. Bold text at the top reads “SAUNA”, with smaller text at the bottom reading “Architecture of Pleasure”.

Marek Nedelka creates smart and uncompromising exhibition identities

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Date
13 January 2017

Marek Nedelka is a graphic designer and creative director based in Prague. He has a bachelors degree in architecture and then went on to study graphic design at the Academy of Art, Architecture and Design in Prague and feels his design work is completely inspired by his architectural background. “In a good sense and also in the bad sense of the word. It means I like complex projects. Zooming in, zooming out. Understanding the context of each project,” explains Marek.
 
“I always start working on projects with understanding their complexity and structure. After I understand it I am able to clarify the content and visualise the main message. Sometimes it is not easy to clarify it but it is always worth it. Otherwise I am lost.”

Marek feels most comfortable working on lengthy projects like books, identities and exhibitions. “But it’s not easy to manage projects on that scale on your own, so I decided to run a studio with my best friend Ondřej Báchor – we call ourselves Nedelka Báchor.” 

Two black and white posters for an exhibition by Míra & Měřítko and Zdeněk Fránek. The layouts feature a grid of thin lines and circles, with text reading “19.05 – 24.07.2016” and “Galerie Jaroslava Fragnera”.
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Marek Nedelka and Ondřej Báchor: Measure and Scale

The designer recently returned from an internship in Stockholm at Henrik Nygren Design. “Henrik is the master of materiality and tactility of printed matter. I tried to bring this good feeling back to Prague so now I share a cosy creative space with other designers, typographers and illustrators like Jan Novak and Heavyweight Foundry,” says Marek. 

A project Marek is fond of is Measure & Scale, which he designed with Ondřej. “It was an exhibition for Zdeněk Fránek, the Czech architect and presented three of his most important recent projects,” says Marek. “The name refers to two parameters that Zdeněk Fránek challenges from time to time. We connected whole design with the specific raster to show different scales of presented projects. We made a triptych of posters to express this using different scales of type, raster and images.” 

One of his most recent briefs was for Sauna: Architecture of Pleasure, which sees Marek and Ondřej adopt a blood red colour palette and striking typography. “We were asked to design the exhibition identity for the Jaroslav Forager Gallery in Prague,” says Marek. “Again there was a simple solution. We tried to warm up the cold winter streets of Prague with red-hot posters.” 

At the heart of Marek’s “smart and uncompromising” work is typography: “It’s essential for for my work and I also try to convey that it is worth doing nice stuff.” 

An open book shows a layout of text and graphics. The right page features the large, bold heading “Liko-Noe” and the number “07” set against a minimalist grid of thin black lines.
Above

Marek Nedelka and Ondřej Báchor: Measure and Scale

A black and white poster for an exhibition titled “Measure & Scale Zdeněk Fránek”. A grid of thin black lines is laid over a photograph of a modernist building. The right edge reads “19.05 – 24.07.2016” and the bottom reads “Jaroslav Fragner Gallery”.
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Marek Nedelka and Ondřej Báchor: Measure and Scale

A black and white book cover featuring a grid layout. The top half reads “Míra & Měřítko Zdeněk Fránek” and the bottom reads “Measure & Scale”.
An open book displays a series of black and white photographs showing the construction of a large metal structure in a forested landscape. The images show steel beams, cranes and workers assembling the framework of a walkway.
Above

Marek Nedelka and Ondřej Báchor: Measure and Scale

A green and white graphic poster for an event titled “Mendel is back”, taking place 23–24 July 2016 in Brno. Three abstract green circles with white organic shapes inside sit above a detailed city map. To the right, a schedule lists various events and locations in Czech.
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Marek Nedelka and Ondřej Báchor: Mendel is Back

A graphic poster in green and white features four scribbled, circular shapes. Bold text in the top left reads “Mendel is back” followed by the dates “23.–24.7. 2016” and the city “Brno”.
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Marek Nedelka and Ondřej Báchor: Mendel is Back

A poster for a lecture series featuring a photograph of a minimalist plywood interior with a circular window. Bold text at the bottom reads “A1 Architects 13.12.2016”. Faint white text at the top reads “Josef Pleskot 11.10.2016”.
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Marek Nedelka: What is architecture?

A poster for a lecture series featuring a photograph of the Aviatica building in Prague. Bold text below the image reads “Jakub Cigler 29.11.2016”.
A poster for an architecture lecture series featuring a photograph of a complex, open-frame wooden structure. Bold text reads “H3T ARCHITEKTI” and “15.11.2016”, with faded text above reading “JOSEF PLESKOT 11.10.2016”.
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Left

Marek Nedelka: What is architecture?

A poster for a lecture series featuring the name “Josef Pleskot” and the date “11.10.2016” in bold black type. Below the text is a photograph of a large, industrial brick building and steel structures under a pale sky.

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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