Celebrating the supreme talents of cracking collage maker Mark Lazenby
Collage is an art-form that can occasionally carry a whiff of the emperor’s new clothes, and there’s an over-abundance of uninspiring work that seems to have little sense of itself. The knock-on effect of this is that when a real star comes along, you can spot him immediately, though we’re by no means the first to appreciate the uber-talent of Mark Lazenby. Over two decades the man has made collages for almost all the top names in media-land, from The Guardian and The New York Times to Vogue, Wired and GQ – he can also boast Sir Peter Blake as a fan.
But when the work is this consistently good, we’re not ones to eschew a good old-fashioned bandwagon jumping. Mark is able to switch between dazzlingly effective communication of a single, simple idea and more convoluted pieces which hint at several narratives simultaneously, plus he uses typography in a really interesting way. Why not lose yourself in his website for an hour/afternoon?
Mark Lazenby: Sorry for Vogue Australia (2012)
Mark Lazenby: Not Keeping up Appearances for The Ride (2012)
Mark Lazenby: Smart Brands for Wired (2011)
Mark Lazenby: When Pink Hippo Fell (2011)
Mark Lazenby: Lolita (2012)
Mark Lazenby: Amortality for Time Out (2011)
Mark Lazenby: Flip Flip Hooray (2012)
Mark Lazenby: Winmanship (2012)
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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.













