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An illustration of a surreal landscape featuring a giant, patterned sphere with black holes in its surface. Small figures interact with the sphere and a nearby 3D map of the Americas, while others float or lounge in a swimming pool.

Surreal, pastel social commentaries from illustrator Mark Whalen

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Date
13 April 2012

Before the written word there were pictures – even cavemen knew how to do a good doodle when necessary. And while we’re more civilised these days, a visual language is still very much present because let’s face it, it’s hard to forget our roots. Artist Mark Whalen is is inspired by indigenous folk art and the way our ancestors used narratives to describe their culture and era. Wanting to explore his own time and place in society, Whalen’s created his own modernised folk art in the form of illustrations that provide a surreal comment on human existence and our current social climate.

It’s an imagined, almost futuristic reality, where his androgynous figures navigate through grids and pastel worlds of painted acrylics, gauche and ink. They’re big old pieces – with some in separate panels –and you want them to be, just so you can take in every detail and every action happening in the pieces.

A collage featuring a large, black silhouette of a person curled in a fetal position. Smaller figures and pink patterned shapes are scattered around them against a light, gridded background.
Above

Mark Whalen: Emotional Content, 2011

An illustration divided into four panels showing figures interacting with large spheres and a world map. People swim in a pool, lounge by a poolside, and climb a tall green structure.
Above

Mark Whalen: The Map Room, 2011

An illustration of three white figures against a dark grey background. Two figures float upside down, while a third stands to the right, all surrounded by a cloud of colourful, speckled shapes.
Above

Mark Whalen: Exploding Matter, 2011

An illustration of a transparent blue cube containing a world map and several stylized figures. One person stands on top of the cube, holding a black wireframe globe against a starry black sky.
Above

Mark Whalen: 24 Hr Lock Down, 2010

An illustration divided into four quadrants, featuring abstract figures and geometric shapes in a minimal white and beige space. Blue and pink dotted lines connect the figures to floating spheres, cubes and scribbled forms.
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Mark Whalen: New Science, 2011

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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