Launch Recite Me assistive technology
An illustration of brown, sausage-shaped lettering that reads “HOT DOG HANDS” against a pink background. Stylised fingers point inwards from the edges of the frame toward the text.

Matt Reynolds’ latest animation features ever-growing hot dog hands and grotesque storytelling

—
Date
3 July 2017

“I was flipping through my sketchbook and found these two independent drawings: one of a woman who had tons of fingers, and one of this creepy little guy nibbling fingers inside of a mailbox,” says animator Matt Reynolds about his new creation, Hot Dog Hands. “The rest of the film practically wrote itself.”

Since graduating, Matt has fully developed his own personal style of film making. From sculpture, painting and earlier work inspired by Czech filmmaker, Jan Švankmajer, Matt dabbled in various mediums and styles before approaching cartoonesque animations. Now drawn to the messy, hand-drawn images of cartoon anatomies, his latest piece Hot Dog Hands goes hand in hand with his new-found signature. “I really love painting with gouache at the moment. It’s so satisfying to lay down big blocks of those rich colours. Hand drawing is such a time-suck though, so for commissioned 2D work I usually use Adobe Animate,” explains Matt.

This remarkable fairy tale depicts the traditional plot and character development you would expect — combined with some grotesque twists and obscure creatures. “There’s a trope in animated shorts, and also fairy tales, where an outcast finally finds their niche in the most unexpected of places,” Matt tells It’s Nice That. “Usually, that cathartic moment of discovery and acceptance is a lot less fraught with ickiness than in Hot Dog Hands. I wanted to push that kind of narrative convention to a grotesque extreme and really make the audience squirm. I mean, it hits all the emotional beats that usually add up to a happy ending, but the details of that ending are so viscerally unsettling.”

“I think we can all empathise with Hot Dog Hands and that feeling of having no control of your body. Sometimes bodies have their own agenda and it’s very scary,” says Matt. While watching the animation, there’s no doubt that you will start to feel some form of compassion for the ever-growing hot dog hands of the protagonist. However, the tale subverts all expectations and rivals any outcome of traditional storytelling. 

An illustration of a pale figure in a blue shirt, peering through a rectangular opening. They hold their hands up to their face in a gesture of surprise or shock.
Above

Matt Reynolds: Hot Dog Hands [still]

An illustration of a pink, creature-like figure with blonde hair, leaning their head on two large, textured hands. They look distressed, sitting at a red desk in a room with orange patterned wallpaper.
Above

Matt Reynolds: Hot Dog Hands [still]

An illustration of a blue figure emerging from a large blue postbox. They reach out towards a person wearing a pink top and blue trousers, set against a backdrop of orange houses.
Above

Matt Reynolds: Hot Dog Hands [still]

An illustration of a pink figure wearing a crown of white buildings and a blue garment. They are adorned with a large, beaded collar and sit before a bright orange backdrop.
Above

Matt Reynolds: Hot Dog Hands [still]

Share Article

About the Author

Ayla Angelos

—

Ayla is a London-based freelance writer, editor and consultant specialising in art, photography, design and culture. After joining It’s Nice That in 2017 as editorial assistant, she was interim online editor in 2022/2023 and continues to work with us on a freelance basis. She has written for i-D, Dazed, AnOther, WePresent, Port, Elephant and more, and she is also the managing editor of design magazine Anima. 

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.