A few weeks ago an A3 sized package arrived at It’s Nice That. We assumed it was a print or a photograph, but inside was a printed type specimen of multiple pages, exuding the elegance of New Letters’ most recent font design Freya.
German type foundry New Letters was founded in 2015 by Armin Brenner and Markus John, merging the lines between typography, graphic design and art direction “with a link between cultural and commercial projects”. Working within “the fields of culture, art and fashion for both digital and print media,” the consistent element in New Letters’ portfolio is impactful typography, “juxtaposing classic type design and great attention to detail, with a modern approach to structure and eclectic use for different projects,” they explain.
Freya embodies this design ethos, “inspired by classic Antique serif typefaces”. However influential typefaces such as Caslon or Didot were designed three decades ago and “while loving those classic typefaces because of their distinctive functionality, we were inspired to reinterpret them in our very own style,” says New Letters. The result is a typeface that has personality while remaining traditional in its aesthetic. “While concentrating on these ideas and influences the main focus was to keep the functionality of Freya — it has a strong varying thickness between the thick and thin strokes and therefore plays a lot with contrast.”
As a font Freya bends the rules typography of slightly: “the whole idea of contrast comes together in different weights of the typeface family, which are connected through the same thickness of all horizontal lines”. However, functionality remains the key aim following “a consistent gradient of styles to ensure best functionality for the headlines and text,” explain New Letters. “Its features are carefully balanced to create a modern and novel appearance.”
- Daniel Britt’s hilariously surreal animations makes the nonsensical appear logical
- Ben Cullen Williams on investigating how a computer would dance
- From The New York Times to a comic on sex, illustrator Kati Szilágyi discusses her recent work
- Alan Warburton explores CGI production, toxic masculinity and vision through his hybrid practice
- “Animation is now a must for posters”: Sunny Studio on design for the digital age
- Greta Grotesk is a typeface in homage to the teenage activist’s handwriting
- Graphic Design is Mental: Tips for looking after your state of mind as a designer
- Alan Titchmarsh stars in new campaign for Adidas’ Gardening Club collection
- Banksy opens his own store, Gross Domestic Product, in wake of legal dispute
- Moonlight, Ex Machina and The Witch go to print in three books designed by Actual Source
- Sometimes Always’ identity for São Paulo bar Caracol has over 10 billion compositions
- Basile Fournier speculates on how technology will affect the role of the future designer