A few weeks ago an A3 sized package arrived at It’s Nice That. We assumed it was a print or a photograph, but inside was a printed type specimen of multiple pages, exuding the elegance of New Letters’ most recent font design Freya.
German type foundry New Letters was founded in 2015 by Armin Brenner and Markus John, merging the lines between typography, graphic design and art direction “with a link between cultural and commercial projects”. Working within “the fields of culture, art and fashion for both digital and print media,” the consistent element in New Letters’ portfolio is impactful typography, “juxtaposing classic type design and great attention to detail, with a modern approach to structure and eclectic use for different projects,” they explain.
Freya embodies this design ethos, “inspired by classic Antique serif typefaces”. However influential typefaces such as Caslon or Didot were designed three decades ago and “while loving those classic typefaces because of their distinctive functionality, we were inspired to reinterpret them in our very own style,” says New Letters. The result is a typeface that has personality while remaining traditional in its aesthetic. “While concentrating on these ideas and influences the main focus was to keep the functionality of Freya — it has a strong varying thickness between the thick and thin strokes and therefore plays a lot with contrast.”
As a font Freya bends the rules typography of slightly: “the whole idea of contrast comes together in different weights of the typeface family, which are connected through the same thickness of all horizontal lines”. However, functionality remains the key aim following “a consistent gradient of styles to ensure best functionality for the headlines and text,” explain New Letters. “Its features are carefully balanced to create a modern and novel appearance.”
- “I’m a believer in form”: Geoff McFetridge on his new book of introspective drawings
- A rundown of our Nicer Tuesdays highlights of 2018
- Eight creatives from around the world tell us what made their city tick in 2018
- “Are we all avatars now?” asks digital painter Zak Keene
- Mohamad Abdouni on documenting an “important time in Arab queer culture”
- MUJI talks us through the brand’s famously minimal design aesthetic
- DIA channels NYC and gives Squarespace its signature kinetic treatment in brand refresh
- Laughing at the world of graphic design with Tracy Ma
- Alex Gamsu Jenkins’ comics remind us of how gross we really are
- Pantone's Colour of the Year 2019 has been announced and it's... Living Coral!
- The animated short giving Isle of Dogs a run for its money
- Caleb Halter's instinctual design practice produces considered and refined work