Swiss architect-cum-artist Nicolas Feldmeyer re-landscapes existing buildings with diametrically aesthetic materials, working into the details of structure to create unexpected spaces and surprising elisions in form.
They’re executed in a deceptively simplistic way which makes a pretty impressive statement considering their temporary nature. Like the the time he strategically hung swathes of material which mimicked the ceiling of Christ Church Spitalfields Crypt, or, as can still be seen until June 14, wrapped the columns of University College London’s impressive portico in a meticulous wide weave.
- Yuri Suzuki on how the key design tool is always communication
- Anna Sullivan creates a look back at the fascinating tradition of stilt walking shepherds
- Don’t Hug Me I’m Scared to debut at Sundance Film Festival
- Director Angela Stephenson documents Manila's defiance for creative freedom in the narco-state
- Friday Mixtape: Anthony Naples takes us from the party to the after party
- Yung Hua Chen’s photography is effortlessly glamorous
- Alex Gamsu Jenkins’ comics remind us of how gross we really are
- Pop culture powerhouse Bryan Rivera's 2018 in graphic design
- Don't worry, be angry: how politics and creativity collided in 2018
- Vice magazine's creative team talks us through its new and unexpectedly different redesign
- DIA channels NYC and gives Squarespace its signature kinetic treatment in brand refresh
- London Art Fair gets an abstract and textural rebrand for 2019