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A split-screen image. On the left, a close-up of a person’s bare skin against a blurred natural background. On the right, a black and white photo of a person wearing a metallic, silver jacket.

Paul Elliman’s striking close crops from fashion, porn and sports magazines

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Date
29 September 2015

In 2013 London-based artist Paul Elliman compiled hundreds of images of people taken from the pages of fashion, porn and sports magazines, each carefully cropped to create vague and abstract compositions, into a 600-page book project, Untitled (September Magazine). From bent knees to splayed hands, the book is a compendium of body language and gestures which Paul has now converted into a video work currently playing on an endless loop at the Carl Freedman Gallery in Shoreditch.

Sitting in a dark room viewers are privy to an entrancing and never-ending stream of closely cropped body parts – clothed and naked – and details of vintage clothes, whether glittery tights, silver puffer jackets, candy-cane stripes or gold lamé. “I was looking to salvage something human from the realm of media images,” Elliman has said, “establishing moments of intimacy in the detail of an elbow or a back or a shoulder, finding something sensual in otherwise cold or preposterous depictions of sex.”

Paul Elliman: Untitled (September Magazine) is on at the Carl Freedman Gallery until 3 October.

A close-up of a person wearing a shimmering, gold metallic garment. The fabric is heavily creased and catches the light against a solid black background.
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Paul Elliman: Untitled (September Magazine)

A diptych showing two close-up images. On the left, a person wears a red and white striped shirt with their hand resting on a white surface. On the right, a black and white photograph shows a person’s hand touching their face in a thoughtful gesture.
Above

Paul Elliman: Untitled (September Magazine)

A black and white diptych. The left image shows a close-up of a person’s foot and hand resting together. The right image shows a person’s arm and hand hanging by their side against a plain white background.
Above

Paul Elliman: Untitled (September Magazine)

A diptych of two photographs. On the left, a person with hairy legs is crouched against a grey background. On the right, a person is wrapped in a thick grey blanket, with only their hand and knee visible.
Above

Paul Elliman: Untitled (September Magazine)

A diptych of two close-up photographs. On the left, a person’s bare arm is bent against a dark background. On the right, a person wears a tan coat and rests their hand on their hip against a weathered blue wooden wall.
Above

Paul Elliman: Untitled (September Magazine)

A diptych of two close-up photographs. On the left, a person in a white shirt rests their hand on their leg, revealing a tattoo on their wrist. On the right, a person wears a thick, beige knit sweater tucked into dark trousers.
Above

Paul Elliman: Untitled (September Magazine)

A diptych showing two contrasting figures. On the left, a person in a dark suit and tie holds one hand open in a gesturing motion. On the right, a person wears a shimmering, metallic blue bodysuit.
Above

Paul Elliman: Untitled (September Magazine)

A diptych of two photographs. On the left, a person in a dark garment curls up on a patterned fabric sofa. On the right, a close-up shows a person’s bare torso and stomach.
Above

Paul Elliman: Untitled (September Magazine)

A black and white photograph shows a person’s arm and leg extending downwards from the top of the frame. The limbs are positioned in a wide V-shape against a plain, textured grey background.
Above

Paul Elliman: Untitled (September Magazine)

A diptych of two images. On the left, a person in a green shirt holds their hand to their shoulder. On the right, a person wears a white shirt and black trousers, standing with one hand in their pocket.
Above

Paul Elliman: Untitled (September Magazine)

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About the Author

Alexander Hawkins

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